The New Republic, Volume 183Herbert David Croly Republic Publishing Company, 1980 - Political science |
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Page 25
... film settings are meant to look like settings , the way they would in a symbolic stage production . The lighting and photography are meant to evoke the atmosphere of the theater . This is not the " invisible " photography of most films ...
... film settings are meant to look like settings , the way they would in a symbolic stage production . The lighting and photography are meant to evoke the atmosphere of the theater . This is not the " invisible " photography of most films ...
Page 34
... films rented at good prices from companies that specialize in such rentals . The last film I showed , Tavernier's The Clock- maker , wasn't even divided properly : Reel Two began at a point halfway back in Reel One . ( I can't comment ...
... films rented at good prices from companies that specialize in such rentals . The last film I showed , Tavernier's The Clock- maker , wasn't even divided properly : Reel Two began at a point halfway back in Reel One . ( I can't comment ...
Page 20
... film , from start to finish , hangs in method and in manner on 812. ( The opening sequence also has a touch of Bergman , the ticking of a clock . ) The protagonist is a film director named Sandy Bates , born Sidney Finkelstein in ...
... film , from start to finish , hangs in method and in manner on 812. ( The opening sequence also has a touch of Bergman , the ticking of a clock . ) The protagonist is a film director named Sandy Bates , born Sidney Finkelstein in ...
Contents
A Journal of Politics and the Arts Vol 183 | 9 |
September 13 and distributed by The | 17 |
scene from The ThirtyNine | 27 |
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