Old Plays, vol. i., and Ancient British Drama, vol. i. It is written in rhymed lines of rude construction, varying in length and neglecting the caesura. A number of the author's shorter pieces are preserved in the Paradise of Dainty Devices, first published in 1575, and reprinted in the Brilish Bibliographer, vol. iii.; the best known are the lines on May, the Amantium Irae, and the Commendation of Music, which has the honour of furnishing a stanza to Romeo and Juliet. The Historie of Damocles and Dionise is assigned to him in the 1578 edition of the Paradise. Sir John Hawkins credited him with the part song "In going to my lonely bed "; the words are certainly his, and probably the music. In his own day Edwards was highly esteemed. The fine poem, "The Soul's Knell," is supposed to have been written by him when dying.

See Grove's Dict. of Music (new edition); the Shakespeare Soc. Papers, vol. ii. art. vi.; Ward, English Dram. Literature, vol. i.

EDWARDS, THOMAS CHARLES (1837-1900), Welsh Nonconformist divine and educationist, was born at Bala, Merioneth, on the 22nd of September 1837, the son of Lewis Edwards (q.v.). His resolve to become a minister was deepened by the revival of 1858-1859. After taking his degrees at London (B.A. 1861, M.A. 1862), he matriculated at St Alban Hall, Oxford, in October 1862, the university having just been opened to dissenters. He obtained a scholarship at Lincoln College in 1864, and took a first class in the school of Literae Humaniores in 1866. He was especially influenced by Mark Pattison and Jowett,who counselled him to be true to the church of his father, in which he had already been ordained. Early in 1867 he became minister at Windsor Street, Liverpool, but left it to become first principal of the University College of Wales at Aberystwyth, which had been established through the efforts of Sir Hugh Owen and other enthusiasts. The college was opened with a staff of three professors and twenty-five students in October 1872, and for some years its career was chequered enough. Edwards, however, proved a skilful pilot, and his hold on the affection of the Welsh people enabled him to raise the college to a high level of efficiency. When it was destroyed by fire in 1885 he collected £25,000 to rebuild it; the remainder of the necessary £40,000 being given by the government (£10,000) and by the people of Aberystwyth (5000). In 1891 he gave up what had been the main work of his life to accept an undertaking that was even nearer his heart, the principalship of the theological college at Bala. A stroke of paralysis in 1894 fatally weakened him, but he continued at work till his death on the 22nd of March 1900. The Calvinistic Methodist Church of Wales bestowed on him every honour in their possession, and he received the degree of D.D. from the universities of Edinburgh (1887) and Wales (1898). His chief works were a Commentary on 1 Corinthians (1885), the Epistle to the Hebrews ("Expositor's Bible" series, 1888), and The God-Man (" Davies | Lecture," 1895).

EDWARDSVILLE, a city and the county-seat of Madison county, Illinois, U.S.A., in the south-western part of the state, on Cahokia Creek, about 18 m. N.E. of St Louis. Pop. (1890) 3561; (1900) 4157 (573 foreign-born); (1910) 5014. Edwardsville is served by the Toledo, St Louis & Western, the Wabash, the Litchfield & Madison, and the Illinois Terminal railways, and is connected with St Louis by three electric lines. It has a Carnegie library. The city's principal manufactures are carriages, ploughs, brick, machinery, sanitary ware and plumber's goods. Bituminous coal is extensively mined in the vicinity. Adjoining Edwardsville is the co-operative village Leclaire (unincorporated), with the factory of the N.O.Nelson Manufacturing Co., makers of plumber's supplies, brass goods, sanitary fixtures, &c.; the village was founded in 1890 by Nelson O. Nelson (b. 1844), and nearly all of the residents are employed by the company of which he is the head; they share to a certain extent in its profits, and are encouraged to own their own homes. The company supports a school, Leclaire Academy, and has built a club-house, bowling alleys, tennis-courts, base-ball grounds, &c. The first settlement on the site of Edwardsville was made in 1812, and in 1815 the town was laid out and named in honour of Ninian Edwards (1775-1833), the governor of the Illinois Territory (1809-1818), |

EDWIN, AEDUINI or EDWINE (585-633), king of Northumbria, was the son of Ella of Deira. On the seizure of Deira by Ethelfrith of Bernicia (probably 605), Edwin was expelled and is said to have taken refuge with Cadfan, king of Gwynedd. After the battle of Chester, in which Æthelfrith defeated the Welsh, Edwin fled to Radwald, the powerful king of East Anglia, who after some wavering espoused his cause and defeated and slew Æthelfrith at the river Idle in 617. Edwin thereupon succeeded to the Northumbrian throne, driving out the sons of Æthelfrith. There is little evidence of external activity on the part of Edwin before 625. It is probable that the conquest of the Celtic kingdom of Elmet, a district in the neighbourhood of the modern Leeds, ruled over by a king named Cerdic (Ceredig) is to be referred to this period, and this may have led to the later quarrel with Cadwallon, king of Gwynedd. Edwin seems also to have annexed Lindsey to his kingdom by 625. In this year he entered upon negotiations with Eadbald of Kent for a marriage with his sister Ethelberg. It was made a condition that Christianity should be tolerated in Northumbria, and accordingly Paulinus was consecrated bishop by Justus in 625, and was sent to Northumbria with Æthelberg. According to Bede, Edwin was favourably disposed towards Christianity owing to a vision he had seen at the court of Radwald, and in 626 he allowed Eanfled, his daughter by Ethelberg, to be baptized. On the day of the birth of his daughter, the king's life had been attempted by Eomer, an emissary of Cwichelm, king of Wessex. Preserved by the devotion of his thegn Lilla, Edwin vowed to become a Christian if victorious over his treacherous enemy. He was successful in the ensuing campaign, and abstained from the worship of the gods of his race. A letter of Pope Boniface helped to decide him, and after consulting his friends and counsellors, of whom the priest Coifi afterwards took a prominent part in destroying the temple at Goodmanham, he was baptized with his people and nobles at York, at Easter 627. In this town he granted Paulinus a see, built a wooden church and began one of stone. Besides York, Yeavering and Maelmin in Bernicia, and Catterick in Deira, were the chief scenes of the work of Paulinus. It was the influence of Edwin which led to the conversion of Eorpwald of East Anglia. Bede notices the peaceful state of Britain at this time, and relates that Edwin was preceded on his progresses by a kind of standard like that borne before the Roman emperors. In 633 Cadwallon of North Wales and Penda of Mercia rose against Edwin and slew him at Hatfield near Doncaster. His kinsman Osric succeeded in Deira, and Eanfrith the son of Æthelfrith in Bernicia. Bede tells us that Edwin had subdued the islands of Anglesey and Man, and the Annales Cambriae record that he besieged Cadwallon (perhaps in 632) in the island of Glannauc (Puffin Island). He was definitely recognized as overlord by all the other Anglo-Saxon kings of his day except Eadbald of Kent.

See Bede, Hist. Eccl. (ed. Plummer, Oxford, 1896), ii. 5, 9, 11, 12, 13, 15, 16, 18, 20; Nennius (ed. San Marte, 1844), § 63: Vita S. Oswaldi, ix. Simeon of Durham (ed. Arnold, London, 1882-1885, vol. i. R.S.). (F. G. M. B.)

EDWIN, JOHN (1749-1790), English actor, was born in London on the 10th of August 1749, the son of a watchmaker. As a youth, he appeared in the provinces, in minor parts; and at Bath in 1768 he formed a connexion with a Mrs Walmsley, a milliner, who bore him a son, but whom he afterwards deserted. His first London appearance was at the Haymarket in 1776 as

There is every reason to believe that eels and conger spawn but once in their lives, and die soon after they have discharged their generative products. When kept in aquaria, both male and female conger are vigorous and voracious. The males sooner or later cease to feed, and attain to the sexually mature condition, emitting ripe milt when handled and gently squeezed. They live in this condition five or six months, taking no food and showing gradual wasting and disease of the bodily organs. The eyes and skin become ulcerated, the sight is entirely lost, and the bones become soft through loss of lime. The females also after a time cease to feed, and live in a fasting condition for five or six months, during which time the ovaries develop and reach great size and weight, while the bones become soft and the teeth disappear. The female, however, always dies in confinement before the ova are perfectly ripe and before they are liberated from the ovarian tissue. The absence of some necessary condition, perhaps merely of the pressure which exists at the bottom of the sea, evidently prevents the complete development of the ovary. The invariable death of the fish in the same almost ripe condition leads to the conclusion that under normal conditions the fish dies after the mature ova have been discharged. G. B. Grassi states that he obtained ripe male eels, and ripe specimens of Muraena, another genus of the family, in the whirlpools of the Strait of Messina. A ripe female Muraena has also been described at Zanzibar. Gravid female eels, i.e. specimens with ovaries greatly enlarged, have been occasionally obtained in fresh water, but there is no doubt that, normally, sexual maturity is attained only in the sea.

Until recent years nothing was known from direct observation concerning the reproduction of the common eel or any species of the family. It was a well-known fact that large eels migrated towards the sea in autumn, and that in the spring small transparent eels of 2 in. in length and upwards were common on the shore under stones, and ascended rivers and streams in vast swarms. It was reasonable, therefore, to infer that the mature eels spawned in the sea, and that there the young were developed. A group of peculiar small fishes were, however, known which were called Leptocephali, from the small proportional size of

Leptocephali. (By permission of J. & A. Churchill.)

in addition to the smallness of the head, are their ribbon-like shape and their glassy transparency during life. The body is flattened from side to side, and broad from the dorsal to the ventral edge. Like the eels, they are destitute of pelvic fins and no generative organs have been observed in them (see fig.). In 1864 the American naturalist, T. N. Gill, published the conclusion that L. Morrisii was the young or larva of the conger, and Leptocephali generally the young stages of species of Muraenidae. In 1886 this conclusion was confirmed from direct observation by Yves Delage, who kept alive in a tank at Roscoff a specimen of L. Morrisii, and saw it gradually transformed into a young conger. From 1887 to 1892 Professor Grassi and Dr Calandruccio carried on careful and successful researches into the development of the Leptocephali at Catania, in Sicily. The specimens were captured in considerable numbers in the harbour, and the transformation of L. Morrisii into young conger, and of various other forms of Leptocephalus into other genera of Muraenidae, such as Muraena, Congromuraena and Ophichthys, was observed. In 1894 the same authors published the announcement that another species of Leptocephalus, namely, L. brevirostris, was the larva of the common eel. This larval form was captured in numbers with other Leptocephali in the strong currents of the Strait of Messina. In the metamorphosis of all Leptocephali a great reduction in size occurs. The L. brevirostris reaches a length of 8 cm., or a little more than 2 in., while the perfectlyformed young cel is 2 in. long or a little more.

The Italian naturalists have also satisfied themselves that certain pelagic fish eggs originally described by Raffaele at Naples are the eggs of Muraenidae, and that among them are the eggs of Conger and Anguilla. They believe that these eggs, although free in the water, remain usually near the bottom at great depths, and that fertilization takes place under similar conditions. No fish eggs of the kind to which reference is here made have yet been obtained on the British coasts, although conger and eels are so abundant there. Raffaele described and figured the larva newly hatched from one of the eggs under consideration, and it is evident that this larva is the earliest stage of a Leptocephalus.

Although young eels, some of them more or less flat and transparent, are common enough on the coasts of Great Britain and north-western Europe in spring, neither eggs nor specimens of Leptocephalus brevirostris have yet been taken in the North Sea, English Channel or other shallow waters in the neighbourhood of the British Islands, or in the Baltic. Marked cels have been proved to migrate from the inmost part of the Baltic to the Kattegat. Recently, however, search has been made for the larvae in the more distant and deeper portions of the Atlantic Ocean. In May 1904 a true larval specimen was taken at the surface south-west of the Faeroe Islands, and another was taken 40 m. north by west of Achill Head, Ireland. In 1905 numbers were taken in deep water in the Atlantic. The evidence at present available indicates that the spawning of mature eels takes place beyond the 100 fathom line, and that the young eels which reach the coast are already a year old. As eels, both young and old, are able to live for a long time out of water and have the habit of travelling at night over land in wet grass and in damp weather, there is no difficulty in explaining their presence in wells, ponds or other isolated bodies of fresh water at any distance from the sea.

See "The Eel Question," Report U.S. Commissioner of Fisheries for 1879 (Washington, 1882); J. T. Cunningham, "Reproduction and Development of the Conger," Journ. Mar. Biol. Assn. vol. ii.; C. G. J. Petersen, Report Dan. Biol. Station, v. (1894); G. B. Grassi, Quart. Journ. Mic. Sci. vol. xxxix. (1897). (J. T. C.)

EFFENDI (a Turkish word, corrupted from the Gr. aiðkvrns, a lord or master), a title of respect, equivalent to the English

It follows the personal name, when that is used, and is generally given to members of the learned professions, and to government officials who have no higher rank, such as Bey, Pasha, &c. It may also indicate a definite office, as Hakim effendi,chief physician

production of such resemblance as their art would enable them to give to their works; and accordingly, when we compare effigies with painted portraits of the same personages, we find that they corroborate one another. The prevalence of portraiture in the effigies of the 16th and 17th centuries, when their art generally underwent a palpable decline, by no means raises all works of this class, or indeed the majority of them, to the dignity of true portraits; on the contrary, in these effigies, as in those of earlier periods, it is the character of the art in cach particular example that affects its merit, value and authority as a portrait. In judging of these latter effigies, however, we must estimate them by the standard of art of their own era; and, as a general rule, the effigies that are the best as works of art in their own class are the best also and the most faithful in their portraiture. The earlier effigies, usually produced without any express aim at exact portraiture, as we now employ that expression, have nevertheless strong claims upon our veneration. Often their sculpture is very noble; and even when they are rudest as works of art, there is rarely lacking a rough grandeur about them, as exhibited in the fine bold figure of Fair Rosamond's son, Earl William of the Long Sword, which reposes in such dignified serenity in his own cathedral at Salisbury. These effigies may not bring us closely face to face with remote generations, but they do place before us true images of what the men and women of those generations were.

Observant students of monumental effigies will not fail to appreciate the singular felicity with which the medieval sculptors adjusted their compositions to the recumbent position in which their "images" necessarily had to be placed. Equally worthy of notice is the manner in which many monumental effigies, particularly those of comparatively early date, are found to have assumed an aspect neither living nor lifeless, and yet impressively life-like. The sound judgment also, and the good taste of those early sculptors, were signally exemplified in their excluding, almost without exception, the more extravagant fashions in the costume of their era from their monumental sculpture, and introducing only the simpler but not less characteristic styles of dress and appointments. Monumental effigies, as commonly understood, represent recumbent figures, and the accessories of the effigies themselves have been adjusted to that position. With the exceptions when they appear on one side resting on the elbow (as in the case of Thomas Owen (d. 1598) and Sir Thomas Heskett (d. 1605), both in Westminster Abbey), these effigies lie on their backs, and as a general rule (except in the case of episcopal figures represented in the act of benediction, or of princes and warriors who sometimes hold a sceptre or a sword) their hands are uplifted and conjoined as in supplication. The crossed-legged attitude of numerous armed effigies of the era of mail-armour has been supposed to imply the personages so represented to have been crusaders or Knights of the Temple; but in either case the supposition is unfounded and inconsistent with unquestionable facts. Much beautiful feeling is conveyed by figures of ministering angels being introduced as in the act of supporting and smoothing the pillows or cushions that are placed in very many instances to give support to the heads of the recumbent effigies. The animals at the feet of these effigies, which frequently have an heraldic significance, enabled the sculptors, with equal propriety and effectiveness, to overcome one of the special difficulties inseparable from the recumbent position. In general, monumental effigies were carved in stone or marble, or cast in bronze, but occasionally they were of wood: such is the effigy of Robert Curthose, son of William I. (d. 1135), whose altar tomb in Gloucester cathedral was probably set up about 1320.

In addition to recumbent statues, upright figures must receive notice here, especially those set in wall-monuments in churches mainly. These usually consisted in half-length figures, seen full-face, placed in a recess within an architectural setting more or less elaborate. They belong mainly to the 16th and 17th centuries. Among the many examples in old St Paul's cathedral (destroyed in the Great Fire of 1666) were those of Dean Colet (d. 1519), William Aubrey (1595) and Alexander Nowell (d. 1601).

In St Giles's, Cripplegate, is the similarly designed effigy of John Speed (d. 1629); while that of John Stow (d. 1605) is a fulllength, seated figure. This, like the figure of Thomas Owen, is in alabaster, but since its erection has always been described as terra-cotta-a material which came into considerable favour for the purpose of busts and half-lengths towards the end of the 16th century, imported, of course, from abroad. Sometimes the stone monuments were painted to resemble life, as in the monuments to Shakespeare and John Combe (the latter now over-painted white), in Holy Trinity Church, Stratfordon-Avon.

BIBLIOGRAPHY.-Among the more noteworthy publications are the following: Monumental Effigies in Great Britain (Norman Conquest to Henry VIII.), by C. A. Stothard, folio (London, 1876); The Recumbent Monumental Effigies in Northamptonshire, by A. Hartshorne (4to, London. 1867-1876); Sepulchral Memorials (Northamptonshire), by W. H. Hyett (folio, London, 1817): Ancient Sepulchral Effigies and Monumental Sculpture of Devon, by W. H. H. Rogers (4to, Exeter, 1877); The Ancient Sepulchral Monuments of Essex, ed. by C. M. Carlton (4to, Chelmsford, 1890); and other value is the Report of the Sepulchral Monuments Committee of the works dealing with the subject according to counties. Of particular Society of Antiquaries, laboriously compiled at the request of the Office of Works, arranged (1) personally and chronologically, and (2) locally (1872). (C. B.; M. H. S.)

EGAN, PIERCE (1772-1849), English sporting writer, was born in London in 1772. He began life as sporting reporter for the newspapers, and was soon recognized as the best of his day. In 1814 he wrote, set and printed a book about the relations of the prince regent (afterwards George IV.) and Miss Robinson, called The Mistress of Royalty, or the Loves of Florizel and Perdita. But his best-known work is Life in London, or Days and Nights of Jerry Hawthorne and his Elegant Friend Corinthian Tom (1821), a book describing the amusements of sporting men, with illustrations by Cruikshank. This book took the popular fancy and was one of Thackeray's early favourites (see his Roundabout Papers). It was repeatedly imitated, and several dramatic versions were produced in London. A sequel containing more of country sports and misadventures probably suggested Dickens's Pickwick Papers. In 1824 Pierce Egan's Life in London and Sporting Guide was started, a weekly newspaper afterwards incorporated with Bell's Life. Among his numerous other books are Boxiana (1818), Life of an Actor (1824), Book of Sports (1832), and the Pilgrims of the Thames (1838). Egan died at Pentonville on the 3rd of August 1849.

His son, Pierce Egan (1814-1880), illustrated his own and his father's books, and wrote a score of novels of varying merit, of which The Snake in the Grass (1858) is perhaps the best.

EGBO, a secret society flourishing chiefly among the Efiks of the Calabar district, West Africa. Egbo or Ekpé is a mysterious spirit who lives in the jungle and is supposed to preside at the ceremonies of the society. Only males can join, boys being initiated about the age of puberty. Members are bound by oath of secrecy, and fees on entrance are payable. The Egbo-men are ranked in seven or nine grades, for promotion to each of which fresh initiation ceremonics, fees and oaths are necessary. The society combines a kind of freemasonry with political and lawenforcing aims. For instance any member wronged in an Egbo district, that is one dominated by the society, has only to address an Egbo-man or beat the Egbo drum in the Egbo-house, or "blow Egbo" as it is called, i.e. sound the Egbo horn before the hut of the wrong-doer, and the whole machinery of the society is put in force to see justice done. Formerly the society earned as bad a name as most secret sects, from the barbarous customs mingled with its rites; but the British authorities have been able to make use of it in enforcing order and helping on civilization. The Egbo-house, an oblong building like the nave of a church, usually stands in the middle of the villages. The walls are of clay elaborately painted inside and ornamented with clay figures in relief. Inside are wooden images, sometimes of an obscene nature, to which reverence is paid. Much social importance attaches to the highest ranks of Egbo-men, and it is said that very large sums, sometimes more than a thousand pounds, are paid to attain these dignities. At certain festivals in the year the