FACULTY OF 25 1. Course in Applied Music, leading to the Degree of Graduate in Music II. Course in Theory and History of Music, leading to the Degree of Bachelor of Music III. Post-graduate Course IV. Literary-Musical Course V. Course in Public School Music Methods Course I. in addition to thorough vocal or instrumental instruction. includes four years of Ensemble, Form and Analysis. three years of Harmony and History of Music, two years of Counterpoint. Fugue and Instrumental Composition, and one year of Vocal Composition and Piano Pedagogy. Vocal Ensemble includes Sight-reading and Choral Classes. the Evanston Musical Club and the A Cappella Choir. Special training classes for Church Organists and Choir Singers. Privilege of literary studies in the College of Liberal Arts or Academy without extra expense. Course II carries the theoretical student into the higher forms of composition such as the Cantata, the Oratorio. the Mass. Chamber Music, the Overture and the Symphony for full orchestra. Quarterly Bulletins with complete detail of courses, etc.. sent upon request. P. C. LUTKIN, Mus. D., Dean Thomas Whitney Surette Lecturer on Music FOR American University Extension Society Brooklyn Institute of Arts and Sciences 1907-1908 FOR Oxford University Mr. Surette will return to America for the Lecture Season of 1908-09 Address all communications in care of THE H. W. GRAY COMPANY 21 East 17th Street NEW YORK CITY SUBSCRIBERS TO THE New Music Review are invited to send to the Publishers the names and addresses of music-lovers in their respective cities, in order that we may send sample copies of the paper to them. We are constantly receiving letters of commendation of the aims of the paper from our subscribers; and we feel that there are many who would gladly aid in the good. work of establishing in America a critical music journal such as the best of those. issued in Europe. By sending us a list, and, if agreeable, the permission to use your name, the influence of the paper may be greatly increased. Terms to Subscription Agents on application to THE H. W. GRAY CO., 21 East 17th St., New York Sole Agents for NOVELLO & CO., Ltd., London Organists, Choirmasters, Music Teachers who desire to receive our bulletins of New Music and Books when issued, please fill out and return to us the coupon printed below. Send 10 cents for sample copy of THE MUSICIAN, a monthly magazine for Teacher, Pupil, and Lover of Music. $1.50 per year, 15 cents per copy. It contains 24 pages of music in each number. The Choir and Choral Department is of special value. OLIVER DITSON COMPANY, 150 Tremont St., Boston This collection contains more than a hundred studies for the organ by great masters, including J. G. Albrechtsberger, Joh. Seb. Bach, W. Friedemann Bach, W. T. Best, G. Frescobaldi, Eugene Gigout, Alex. Guilmant, Adolf Hesse, Jacques Lemmens, Clement Loret, Padre Martini, G. Merkel, Max Reger, Heinrich Reimann, Joseph Rheinberger, Friedrich Schneider, John Stainer. The studies are progressively arranged and specially designed for purposes of instruction. The book comprises 125 pages, and is durably bound in flexible cloth. From a letter of ALEXANDER GUILMANT'S. "I think the book will render excellent service to those who study the organ seriously, and notably to have a fingering that is rational for the pedal-board. I wish the best of success for the work, which I am happy to recommend." Among the American organists of note who have already endorsed the method are: Clarence Eddy, New York; Samuel P. Warren, New York; James H. Rogers, Cleveland; Harrison Wild, Chicago; J. Warren Andrews, New York; Archer Gibson, New York; William Middleschultte, Chicago; Will C. Macfarlane, New York; Clarence Dickinson, Chicago; Edmund Jacques, New York; E. E. Truette, Boston; Charles Galloway, St. Louis; G. W. Andrews, Oberlin College; H. B. Jepson, Yale College; L. H. Eaton, San Francisco; Clement Gale, New York; R. H. Woodman, Brooklyn ; John Hyatt Brewer, Brooklyn. WILL BE SENT FOR EXAMINATION |