The New Music Review and Church Music Review, Volume 7, Issues 73-84Novello, Ewer & Company, 1908 - Church music |
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Page 30
... cello . They gave their first concert a few days ago . A cable dispatch to The New York Times from Berlin says there have just been published in a Berlin magazine three scenes of Richard Wag- ner's opera called " The Wedding , " which ...
... cello . They gave their first concert a few days ago . A cable dispatch to The New York Times from Berlin says there have just been published in a Berlin magazine three scenes of Richard Wag- ner's opera called " The Wedding , " which ...
Page 52
... cello , gave a concert on October 30 at Mount Holyoke College , Mass . The following programme was performed : Trio , Feen Legende Violin solo , Faust Fantasie Harp solo , Fantasie Cello solo , Kol Nidre Trio , Serenade Violin solo ...
... cello , gave a concert on October 30 at Mount Holyoke College , Mass . The following programme was performed : Trio , Feen Legende Violin solo , Faust Fantasie Harp solo , Fantasie Cello solo , Kol Nidre Trio , Serenade Violin solo ...
Page 88
... cello , was played here for the first time , and there was a first performance of Henry Hadley's piano quintet , which is still in manuscript . The Serenade is in five move- ments . They show genuine fancy . A short fantastical march is ...
... cello , was played here for the first time , and there was a first performance of Henry Hadley's piano quintet , which is still in manuscript . The Serenade is in five move- ments . They show genuine fancy . A short fantastical march is ...
Page 98
... cello , horn and piano rendered by Marie Kun- kle Zimmerman , Frederick E. Hahn , W. A. Schmidt , Anton Horner and Philip H. Goepp . Local composers represented during the eve- ning were Mr. Hahn by some of his string quartet writings ...
... cello , horn and piano rendered by Marie Kun- kle Zimmerman , Frederick E. Hahn , W. A. Schmidt , Anton Horner and Philip H. Goepp . Local composers represented during the eve- ning were Mr. Hahn by some of his string quartet writings ...
Page 121
... Cello Serenade Reverie Mr. De Nike Intermezzo from the Sixth Symphony Lullaby ( Jocelyn ) , with ' cello obligato Master Walter Garbutt J. S. Bach Schumnann Bottesini C. M. Widor B. Godard Capriccio Ed . Lemaigre Marche Funebre et Chant ...
... Cello Serenade Reverie Mr. De Nike Intermezzo from the Sixth Symphony Lullaby ( Jocelyn ) , with ' cello obligato Master Walter Garbutt J. S. Bach Schumnann Bottesini C. M. Widor B. Godard Capriccio Ed . Lemaigre Marche Funebre et Chant ...
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Common terms and phrases
21 East Agents for NOVELLO American Anthem artistic Bach baritone bass beauty Beethoven Benedictus Boston Brooklyn Cantata Carnegie Hall Cathedral Choir Choral Society chords chorus Christ CHURCH MUSIC City Club Communion Service composer compositions concert conductor contralto D-minor Deum Director dramatic E-flat East 17th Street Edward English Festival Fugue German Gounod Guild Guilmant H. W. Gray Handel Harmony Holy Hymn Introit John Jubilate London Lord Magnificat March master melody Mendelssohn ment Metropolitan Opera House Miss Mozart MUSIC REVIEW musicians NOVELLO & CO Nunc Dimittis Offertory Opera House Oratorio orchestra Organ Recitals Organist Organist and Choirmaster Overture Pedal performance Philadelphia piano Pianoforte played poem praise Prelude Presbyterian Church programme quartet Richard Strauss sang Scherzo School Score season singers singing solo soloists Sonata Song soprano Stainer Strauss sung Symphony Te Deum tenor theme tion tone Trinity Unison Song Violin vocal voice Wagner West words
Popular passages
Page 1 - Is it true, O Shadrach, Meshach, and Abed-nego, do not ye serve my gods, nor worship the golden image which I have set up ? Now if ye be ready that at what time ye hear the sound of the cornet, flute, harp, sackbut, psaltery, and dulcimer, and all kinds of music...
Page 136 - MUCH HAS been said, of late, about the necessity of maintaining a proper nationality in American Letters; but what this nationality is, or what is to be gained by it, has never been distinctly understood. That an American should confine himself to American themes, or even prefer them, is rather a political than a literary idea— and at best is a questionable point. We would do well to bear in mind that "distance lends enchantment to the view.
Page 284 - It is most chromatic and there is a slow movement entitled 'Praise for the recovery of an invalid'. Beethoven intended to allude to himself I suppose for he was very ill during the early part of this year.
Page 10 - What ! out of senseless Nothing to provoke A conscious Something to resent the yoke Of unpermitted Pleasure, under pain Of Everlasting Penalties, if broke...
Page 317 - Trust only Christ, thy Captain ; Cease not to watch and pray ; Heed not the treacherous voices • That lure thy soul astray. 3 Go forward, Christian soldier ! Nor dream of peaceful rest, Till Satan's host is vanquished And heaven is all possessed; Till Christ Himself shall call thee To lay thine armor by, And wear in endless glory The crown of victory. 4 Go forward, Christian soldier!
Page 347 - Extracts from the Journals kept by the Rev. Thomas Smith, late Pastor of the First Church of Christ in Falmouth, in the county of York, now Cumberland.
Page 317 - Go forward, Christian soldier ! Fear not the secret foe ; Far more o'er thee are watching Than human eyes can know : Trust only Christ, thy captain ; Cease not to watch and pray ; Heed not the treacherous voices That lure thy soul astray.
Page 284 - Upon what subject shall I play?" Meanwhile he was touching the instrument thus to which I answered, 'Upon that.' On which theme he played for about twenty minutes in a most extraordinary manner, sometimes very fortissimo, but full of genius.
Page 268 - ... words into a musical bar, according to their spoken accents, and has sought by the consonantal Stabreim to bring them to the feeling's understanding in an easier and more sensuous form; he will still more completely facilitate this understanding, if he takes the vowels of the accented...
Page 284 - On which theme he played for about twenty minutes in a most extraordinary manner, sometimes very fortissimo, but full of genius. When he rose at the conclusion of his playing he appeared greatly agitated. No one could be more agreeable than he was — plenty of jokes. He was in the highest of spirits. We all wrote to him by turns, but he can hear a little if you halloo quite close to his left ear. He was very severe in his observations about the Prince Regent never having noticed his present of the...