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THE CEMETERY OF PERE LA CHAISE.

Quid sis, esse velis, nihilque malis;

Summum nec metuas diem, nec optes.

I AM half disposed to admit the assertion of a lively authoress, that the French are a grave people, and absolutely determined upon contradicting the received opinion in England, that in the volatility of their character their sympathies, however easily excited, are generally evanescent; and that the claims of kindred or friendship, so far from awakening any permanent sensibility, are quickly superseded by the paramount dominion of frivolity and amusement. Let any man who is labouring under this mistaken impression pay a visit to the Cemetery of Père La Chaise; and if he do not hate France more than falsehood, he will admit that in the precincts of this beautiful and affecting spot there is not only a more striking assemblage of tasteful decoration and appropriate monumental sculpture, but more pervading evidences of deep, lingering, heart-rending affection for the dead than could be paralleled in England or any other country of Europe. The tombs elsewhere seem to be monuments of oblivion, not remembrance-they designate spots to be avoided, not visited, unless by the idle curiosity of strangers; here they seem built up with the heart as well as with the hands; they are hallowed by the frequent presence of sorrowing survivors, who, by various devices of ingenious and elegant offerings, still testify their grief and their respect for the departed, and keep up by these pious visitings a sort of holy communion between the living and the dead. Never, never shall I forget the solemn, yet sweet and soothing emotions that thrilled my bosom at the first visit to Père La Chaise. Women were in attendance as we approached the gate, offering for sale elegant crowns, crosses, and wreaths of orange-blossom, xereanthemum, amaranth, and other everlasting flowers, which the mourning relatives and friends are accustomed to suspend upon the monument, or throw down upon the grave, or entwine among the shrubs with which every enclosure is decorated. Congratulating myself that I had no such melancholy office to perform, I passed into this vast sanctuary of the dead, and found myself in a variegated and wide-spreading garden, consisting of hill and dale, redolent with flowers, and thickly planted with luxuriant shrubs and trees, from the midst of which monumental stones, columns, obelisks, pyramids, and temples, shot up in such profusion, that I was undecided which path to explore first, and stood some time in silent contemplation of the whole scene, which occupies a space of from sixty to eighty acres. A lofty Gothic monument on the right first claimed my attention, and on approaching it I found that it contained the tomb in which are the ashes of Abelard and Eloisa, united at last in death, but even then denied that rest and repose to which they were strangers in their unhappy and passionate lives. Interred, after various removals, at Soissons, in the year 1120, they were transported in the year eight of the Republic from Chalons sur Saone to the Museum of French Monuments at Paris, and thence to the romantic spot which they at present occupy. We learn from the inscription, that with all his talents Abelard could not comprehend the doctrine of the Trinity, and on this account incurred the censure of contemporary hierarchs. Subsequently, however, he seems to have

seen the wisdom of a more accommodating faith; and having evinced his orthodoxy by the irrefragable argument of causing three figures to be sculptured upon one stone, which is still visible, being let into the side of his tomb, he was restored to the confidence and protection of the church. I had seen at Paris the dilapidated house in which he is stated to have resided; and now to be standing above the very dust which once contributed to form the fine intellect and throbbing hearts of these celebrated lovers, seemed to be an annihilation of intervening centuries, throwing the mind back to that remote period when Eloisa from the" deep solitudes and awful cells" of her convent endited those love-breathing epistles which have spread through the world the fame of her unhappy attachment. Quitting this interesting spot, a wilderness of little enclosures presented itself, almost every one profusely planted with flowers, and overshadowed by poplar, cypress, weeping willow, and arbor vitæ, interspersed among flowering shrubs and fruittrees; for the ground, before its present appropriation, had been laid out as a pleasure-garden. Many of the tombs were provided with a watering-pot for the refreshment of the flowers, and the majority had a stone seat for the accommodation of those who came hither to indulge in melancholy retrospection, as they stationed themselves upon the grave in which their affections were deposited. Here and there the sufferers from filial, parental, or conjugal deprivation, were seen trimming the foliage or flowers that sprung up from the remains of their kindred flesh, and as they handled the shrubs, whose roots struck down into the very grave, one could almost imagine that the dead stretched forth their leafy arms from the earth to embrace once more those whom they had so fondly encircled when alive. In many instances, however, it must be confessed that this pious duty was deputed to the keepers of the ground, who for a small stipend maintained the tombs in a perpetual greenness. Some contented themselves with hanging a funeral garland on the monuments of their friends, by the number and freshness of which tributes wé were enabled to judge, in some degree, of the merits of the deceased, and of the recency with which sad bosoms and glistening eyes had occupied the spot on which we then stood. Some were blooming all over with these flowery offerings, while others, with a single forlorn and withered chaplet, or absolutely bare, shewed that their mouldering tenants had left no friends behind; or that time had wrought his usual effect, and either brought them to the same appointed house, or steeped their senses in forgetfulness."

In ascending the hill extensive family vaults are seen, excavated in its side in the style of the ancients, with numerous recesses for coffins, the whole inclosed by bronze gates of exquisite taste and workmanship, through which might be seen the chairs for those who wish to shut themselves up and meditate in the sepulchre which they are permanently to occupy; while the yellow wreath upon the ground, or coffin, pointed out the latest occupant of the chamber of death. Some well-known name was perpetually presenting itself to our notice. In one place we encountered the tomb of the unfortunate Labedoyère, who was the first to join Napoleon when he advanced to Grenoble in 1815, and expiated his offence with his life. The spot in which the hapless Ney was deposited was also shewn to us, but his monument

had been removed. A lofty and elegant pyramid on the height bore the name of the celebrated Massena; and as we roamed about, we trod over the remains of republicans, royalists, marshals, demagogues, liberals, ultras, and many of the victors and victims of the Revolution, whose exploits and sufferings have filled our gazettes, and been familiar in our mouths for the last twenty or thirty years.

A few steps more brought us to the summit of the hill, commanding a noble view of Paris, the innumerable white buildings of which stood out with a panoramic and lucid sharpness in the deep blue of a cloudless sky, not a single wreath of smoke dimming the clearness of the view. Nothing was seen to move-a dead silence reigned aroundthe whole scene resembled a bright and tranquil painting.

On the highest point of the whole cemetery, under the shade of eight lime-trees planted in a square, is the tomb of Frederic Mestezart, a Protestant pastor of the Church of Geneva. A French writer well observes, on the occasion of this tomb, raised in the midst of the graves of Catholics, and in the former property of one of the most cruel persecutors of protestantism, "O the power of time, and of the revolutions which it brings in its train! A minister of Calvin reposes not far from that Charenton where the reformed religion saw its temple demolished and its preacher proscribed! He reposes in that ground where a bigoted Jesuit loved to meditate on his plans of intolerance and persecution!" Not far from this spot is the tomb of the well-known authoress Madame Cottin, and monuments have also been lately erected to the memory of Lafontaine and Molière. A low pyramid is the appropriate sepulchre of Volney; and at the extremity of a walk of trees, surrounded by a little garden, is the equally well adapted monument of Delille, the poet of the Gardens. Mentelle and Foureroy repose at a little distance; and in the same vicinity, beneath a square tomb of white marble, decorated with a lyre, are deposited the remains of Grétry, the celebrated composer, whose bust I had the day before seen in the garden of the Hermitage at Montmorency, once occupied by RousHow refreshing to turn from the costly and luxurious memorials of many who had been the torments and scourges of their time, to these classic shades, where sleep the benefactors of the world, men who have enlightened it by their wisdom, animated it by their gaiety, or soothed it by their delightful harmonies!

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Amid the tombs upon the height is a low enclosure, arched over at top to preserve it from the weather, but fenced at the sides with open wire-work, through which we observed that the whole interior surface was carefully overspread with moss, and strewed with fresh gathered white flowers, which also expanded their fragrance from vases of white porcelain, the whole arranged with exquisite neatness and taste. There was no name or record but the following simple and pathetic inscription: "Fille cherie-avec toi mes beaux jours sont passés! 5 Juin, 1819."-Above two years had elapsed since the erection of this tomb, yet whenever I subsequently visited it, which I sometimes did at an early hour, the wakeful and unwearied solicitude of maternal regret had preceded me; the moss was newly laid, the flowers appeared to be just plucked, the vases shone with unsullied whiteness, as if even the dew had been carefully wiped off. How keen and intense must have

been that affection which could so long survive its object, and gather fresh force even from the energy of despair!

An inscription to the memory of Eleanor Mac Gowan, a Scotchwoman, recalled to mind the touching lines of Pope-" by foreign hands, &c. ;" but though we might admire the characteristic nationality, we could hardly applaud the taste which had planted this grave, as well as some others of her countrymen, with thistles. English names often startled us as we walked through the alleys of tomb-stones; and it was gratifying to find that even from these, the coarse and clumsy, though established emblems of the death's head and marrow-bones had been discarded. Obtuse, indeed, must be those faculties which need such repulsive bone-writing to explain to them the perishableness of humanity.

We nowhere encountered any of the miserable doggrel which defaces our graves in England, under the abused name of poetry; and, in fact, poetic inscriptions of any sort were extremely rare. Some may assign this to the want of poetical genius in the French, but it might be certainly more charitable, and possibly more just, to attribute it to the sincerity of their regrets; for I doubt whether the lacerated bosom, in the first burst of its grief, has ever any disposition to dally with the Muses. A softened heart may seek solace in such effusions, but not an agonized one. Some rhyming epitaphs were, however, visible. Under the name of the well known Regnault de St. Jean d'Angely these lines were inscribed:

"François, de son dernier soupir

Il a saluè la patrie;

Un même jour a vu finir

Ses maux, son exil, et sa vie."

And a very handsome monument to the memory of an artist, in bronze and gold, named Ravrio, informs us that he was the author also of numerous fugitive pieces, to prevent his following which into oblivion, his bust, well executed in bronze, surmounts his tomb; and the following verses give us a little insight into his character.

"Un fils d'Anacreon a fini sa carrière,

Il est dans ce tombeau pour jamais endormi,

Les enfans des beaux arts sont privés de leur frère,
Les malheureux ont perdu leur ami.”

The practice of affixing busts to tombs seems worthy of more general adoption :-it identifies and individualizes the deceased, and thus creates a more definable object for our sympathies. Perhaps the miniatures which we occasionally saw let into the tomb-stones and glazed over, attained this point more effectually, as the contrast between the bright eye and blooming cheek above, and the fleshless skeleton below, was rendered doubly impressive. Not only is the doggrel of the English church-yard banished from Père La Chaise, but it is undegraded by the bad spelling and ungrammatical construction which with us are so apt to awaken ludicrous ideas, where none but solemn impressions should be felt. The order by which all the lapidary inscriptions must be submitted to previous inspection, though savouring somewhat of arbitrary regulation, is perhaps necessary in the present excited state of political feeling, and is doubtless the main cause of the general pro

priety and decorum by which they are distinguished. The whole management of the place appears to be admirably conducted:-decency and good order universally prevailed;-not a flower was gathered, not a monument defaced, not a stone scribbled over. It was impossible to avoid drawing painful comparisons between the state of the plainest tombs here, and the most elaborate in Westminster-abbey, defaced and desecrated as many of the latter are by the empty-headed puppies of the adjoining school, and the brutal violations of an uncivilized rabble. This sacred respect for the works of art is not peculiar to the Cemetery of Père La Chaise, nor solely due to the vigilance of the police, for in the innumerable statues and sculptures with which Paris and its neighbourhood abound, many scattered about in solitary walks and gardens at the mercy of the public, I have never observed the smallest mutilation, nor any indecorous scribbling. The lowest Frenchman has been familiarized with works of art until he has learnt to take a pride in them, and to this extent at least has verified the old adage, that such a feeling -" emollit mores nec sinit esse feros."

As I stood upon the hill, I saw a funeral procession slowly winding amid the trees and avenues below. Its distant effect was impressive, but, as it approached, it appeared to be strikingly deficient in that wellappointed and consistent solemnity by which the same ceremony is uniformly distinguished in England. The hearse was dirty and shabby, the mourning coaches as bad, the horses and harness worse; the coachmen in their rusty coats and cocked hats seemed to be a compound of paupers and old-clothesmen; the dress of the priests had an appearance at once mean and ludicrous;-the coffin was an unpainted deal box; the grave was hardly four feet deep, and the whole service was performed in a careless and unimpressive manner. Yet this was the funeral of a substantial tradesman, followed by a respectable train of mourners. Here was all the external observance, perhaps, that reason requires; but where our associations have been made conversant with a more scrupulous and dignified treatment, it is difficult to reconcile ourselves to such a slovenly mode of interment, although it may be the established system of the country. All the funerals here are in the hands of a company, who, for the privilege of burying the rich at fixed prices, contract to inhume all the poor for nothing. It is hardly to be supposed, that in such a multiplicity of tombs there are not some offensive to good taste. Many are gaudy and fantastical, dressed up with paltry figures of the Virgin and Child, and those tin and tinsel decorations which the rich in faith and poor in pocket are apt to set up in Roman Catholic countries :-but the generality are of a much nobler order, and I defy any candid traveller to spend a morning in the Cemetery of Père La Chaise without feeling a higher respect for the French character, and forming a more pleasing estimate of human nature in general.

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