Courting Failure: Women and the Law in Twentieth-century LiteratureFor the past twenty years, the law and literature movement has been gaining ground. More recently, a feminist perspective has enriched the field. With Courting Failure: Women and the Law in Twentieth-Century Literature, Heidi Slettedahl Macpherson adds a compelling voice to the discussion. Courting Failure critically explores the representation of women, fictional and historical, in conflict with the law. Macpherson focuses on the judicial system and the staging of women's guilt, examining both the female suspect and the female victim in a wide variety of media, including novels like Toni Morrison's Beloved and Margaret Atwood's Alias Grace, theatrical plays, movies such as I Want to Live! and Legally Blonde, and the television series Ally McBeal. In these texts and others, canonical or popular, Macpherson exposes the court as an arena in which women often fail, or succeed only by subverting the system. Combining feminist literary theory with the discourse of the law and literature movement, Courting Failure is a highly readable and analytically rigorous study of justice and gender on the page and screen. |
From inside the book
Results 1-3 of 15
Page 11
... whole , the story of contemporary texts or writing about and by women , and it is necessary to break free from the rather limited canon of texts that characterize early ( and some later ) versions of the law and literature movement ...
... whole , the story of contemporary texts or writing about and by women , and it is necessary to break free from the rather limited canon of texts that characterize early ( and some later ) versions of the law and literature movement ...
Page 140
... whole line of other mid- wives . Indeed , even the title , with its stress on the plural ( despite the fact that the novel is principally about one woman ) indicates a line of descent . The words which particularly interest me here are ...
... whole line of other mid- wives . Indeed , even the title , with its stress on the plural ( despite the fact that the novel is principally about one woman ) indicates a line of descent . The words which particularly interest me here are ...
Page 157
... whole . Instead , the audience sees the mechanized life of an unhappy woman , first in a job she dislikes , then when she tries to speak to her mother about love , and during her honeymoon where she cannot bear to be touched by her new ...
... whole . Instead , the audience sees the mechanized life of an unhappy woman , first in a job she dislikes , then when she tries to speak to her mother about love , and during her honeymoon where she cannot bear to be touched by her new ...
Other editions - View all
Courting Failure: Women and the Law in Twentieth-century Literature Heidi Slettedahl Macpherson No preview available - 2007 |
Common terms and phrases
abuse Adam African American Alias Grace Alice Ally McBeal Amanda Andrea Pia Yates Anna Anne Annette Bennington appears argues Aristodemou Atwood chapter child constructed context court courtroom crime criminal critics Culture death Dessa Rose Dessa's Doris edited episode example explore fact female femininity Feminism feminist fictional film focuses Foucault gaze gender Grace Marks Graham guilty Hays Code historical husband Ibid innocence Isla italics in original Jacqueline St judge Judith Resnik jury Justice killed Kingston Penitentiary law and literature Law Review lawyer Legally Blonde lesbian literary Lizzie Borden London male Manon Margaret mother motherhood murder novel offers Oxford panopticon play position Press Gang prison punishment rape relation Resnik Robin West Roddy role Rufel Sarah scene Sethe Sethe's sexual Sibyl slave Slave Narratives slavery social stance story suggests Susan texts tion trial University Press violence voice Weisberg woman women Wuornos Yates York