and 900 lines. The Prologue to the Wife of Bath's Tale is fully as long. All the twenty-four tales are complete, except only the Cook's Tale, of which we have only a few lines, the Squire's Tale, which remains 66 half-told," and the burlesque Tale of Sir Thopas, which is designedly broken off in the middle. Of the nineteen complete tales in verse, the longest are the Knight's Tale of 2250 verses, the Clerk's Tale of 1156, and the Merchant's Tale of 1172.* The entire work, with the exception of the prose tales and the Rime of Sir Thopas (205 lines), is in decasyllabic (or hendecasyllabic) verse, arranged either in couplets or in stanzas. The few extracts we can give cannot, of course, convey any notion of this vast and various poem to those who are not acquainted with it; but those who are may have their recollection of it refreshed, and the curiosity of other readers may be excited, though not satisfied, by the two or three passages we shall now subjoin. The general Prologue is a gallery of pictures almost unmatched for their air of life and truthfulness. Here is one of them :— There was also a nun, a Prioress, That of her smiling was full simple and coy, * Some of the old editions add the following spurious tales: The Cook's Tale of Gamelyn, in 1787 short verses; the Ploughman's Tale, with a short prologue, in 1383 alternative rhyming verses; and the Merchant's Second Tale, or the History of Beryn, in 3289 lines, preceded by the prologue of the Pardoner and Tapster, in 729 lines. These are all rejected by Tyrwhitt. That is Saint Eloy or Eligius. Oathe here, according to Mr. Guest, is the old Saxon genitive plural, meaning of oaths. We doubt this discovery. And she was cleped Madame Eglantine. h But for to speaken of her conscience, b Called. e Pleasure. h Surely. Full seemely her wimple y-pinched was; k Yard, rod. с Neatly. с m In addition to that. d Unknown. g Reached. j Worthy. 1 Long and well proportioned. n Certainly. Undergrown, of a low stature. Full fetise P was her cloak, as I was ware. As a companion to this perfect full length, we will add that of the Mendicant Friar : A Frere there was, a wanton and a merry, b In all the orders four is none that can His tippet was aye farsed full of knives P Neat. Having the gauds or beads coloured green. · Hung. a A friar licensed to beg within a certain district. b Unto. • Freeholders of the superior class. Where he knew he should have a good pittance or fee. g Stuffed. e Shriven. f Boast. .k And certainly he had a merry note; ; P Profit. • Victual. i Stories, romances. 1 Such. n So? A musical instrument so called. j Prize. Fleur de lis, lily. m It suits not, is not fitting. Having regard to his quality or functions? q So? r Poor people. • In addition to. u Wherever. O ▾ Courteous. w Farm. * What he got by begging and the exercise of his profession. y Days formerly appointed for the amicable settlement of differences. z Much. a Not. That round was as a bell out of the press. It may be observed in all these extracts how fond Chaucer is of as it were welding one couplet and one paragraph to another, by allowing the sense to flow on from the last line of the one through the first of the other, thus producing an alternating movement of the sense and the sound, instead of making the one accompany the other, as is the general practice of our modern poetry. This has been noticed, and a less obvious part of the effect pointed out, by a living poet, who has shown how well he feels Chaucer by something more and much better than criticism. "Chaucer," observes Leigh Hunt," took the custom from the French poets, who have retained it to this day. It surely has a fine air, both of conclusion and resumption; as though it would leave off when it thought proper, knowing how well it could recommence."* It is so favourite a usage with Chaucer, that it may be sometimes made available to settle the reading, or at least the pointing and sense, of a doubtful passage. The following is the first introduction to the reader of b Not understood. described as out of the Is it the bell or the semicope that is press ? As do the stars. *Preface to Poetical Works, 8vo. Lon. 1832. See also Mr. Hunt's fine imitation and continuation of the Squire's Tale in the Fourth Number of the Liberal. Lon. 1823. |