Twentieth-century French Avant-garde Poetry, 1907-1990

action activity actually Apollinaire appearance artistic attention attitude awareness becomes Breton brings calls century Char collection communication complete concrete construct continual create creation creative critical dada desire direct effect elements Eluard emerges emotion especially esthetic evokes existence experience expression figure finds force formal fragment freedom French historical human iconic identified imagination individual interest language limits linguistic literary living logic major Mallarmé marked meaning Michaux movement naming nature object Paris past pattern plastic poem poésie poet poetic poetry Ponge position possible practice present problem prose reader reading reality reflect rejection relationships remains response Reverdy role sense separation share space structure surrealism surrealist theory things tion traditional transformation turn twentieth-century unity verbal verse visual volume word writing written