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Page 22
Richard Chenevix Trench. Yet here , before I pass further , I would observe in respect of those which come from the Latin , that it will be desirable further to mark whether they are directly from it , and such might be marked L ' , or ...
Richard Chenevix Trench. Yet here , before I pass further , I would observe in respect of those which come from the Latin , that it will be desirable further to mark whether they are directly from it , and such might be marked L ' , or ...
Page 25
... observing and calculating the proportions in which the words of one descent and those of another occur in any passage which you analyse . Thus examine the Lord's Prayer . It consists of exactly sixty words . You will find that only the ...
... observing and calculating the proportions in which the words of one descent and those of another occur in any passage which you analyse . Thus examine the Lord's Prayer . It consists of exactly sixty words . You will find that only the ...
Page 45
... observe in Chaucer such French words as these , ' misericorde , ' ' malure ' ( malheur ) , ' penible , ' ' gipon , " ' pierrie ' for ' precious stones ; ' none of which have been permanently incorporated in our tongue . As lit- tle has ...
... observe in Chaucer such French words as these , ' misericorde , ' ' malure ' ( malheur ) , ' penible , ' ' gipon , " ' pierrie ' for ' precious stones ; ' none of which have been permanently incorporated in our tongue . As lit- tle has ...
Page 46
... observe once for all that in adding the name of an author , which I shall often do , to a word , I do not mean to affirm that the word is in any way peculiar to him ; although in some cases it may be so ; but only that he is one ...
... observe once for all that in adding the name of an author , which I shall often do , to a word , I do not mean to affirm that the word is in any way peculiar to him ; although in some cases it may be so ; but only that he is one ...
Page 48
... observe the " words of art " as he calls them , which Philemon Holland , a voluminous translator at the end of the sixteenth and beginning of the seventeenth century , counts it needful to explain in a sort of glossary which he prefixes ...
... observe the " words of art " as he calls them , which Philemon Holland , a voluminous translator at the end of the sixteenth and beginning of the seventeenth century , counts it needful to explain in a sort of glossary which he prefixes ...
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Common terms and phrases
adjectives adopted altogether Anglo-Saxon Beaumont and Fletcher become Ben Jonson black guard Blackwood's Magazine called century changes character Chaucer Chimæra COMPOSITE LANGUAGE Courier derived Dictionary Douay doubt Dryden earlier early edition employed English language English words etymology example express fact familiar female feminine find place foreign words French words gain German German language grammatical Greek guage illustrate instance Jeremy Taylor Latin language Latin words lecture letters living loss meaning merely Milton modern nation nature never noun number of words observe once original passage perfuga period persons Plutarch poems poet popular possess present pronunciation rathest reader RICHARD CHENEVIX TRENCH Saxon seeking sense Shakespeare shape sound speak speech spelling spelt Spenser spoken strong præterites suppose survives syllable things tion tongue translation vast number verb Version whole Wiclif Wiclif's Bible write written
Popular passages
Page 106 - Deliver me not over into the will of mine adversaries : for there are false witnesses risen up against me, and such as speak wrong.
Page 34 - By him therefore let us offer the sacrifice of praise to God continually, that is, the fruit of our lips giving thanks to his name. 16 But to do good and to communicate forget not: for with such sacrifices God is well pleased.
Page 65 - Yet it must be allowed to the present age, that the tongue in general is so much refined since Shakspeare's time that many of his words, and more of his phrases, are scarce intelligible. And of those which we understand, some are ungrammatical, others coarse ; and his whole style is so pestered with figurative expressions, that it is as affected as it is obscure.
Page 28 - The first and foremost step to all good works is the dread and fear of the Lord of heaven and earth, which through the Holy Ghost enlighteneth the blindness of our sinful hearts to tread the ways of wisdom, and lead our feet into the land of blessing."* This is not stiffer than the ordinary English of his time.
Page 31 - cocoon,' (to speak by the language applied to silk-worms,) which the poem spins for itself. But, on the other hand, where the motion of the feeling is by and through the ideas, where, (as in religious or meditative poetry — Young's, for instance, or Cowper's,) the pathos creeps and kindles underneath the very tissues of the thinking, there the Latin will predominate ; and so much so that, whilst the flesh, the blood and the muscle, will be often almost exclusively Latin, the articulations only,...
Page 94 - In former times, till about the reign of King Henry VIII., they were wont to be formed by adding en; thus, loven, sayen, complainen. But now (whatsoever is the cause) it hath quite grown out of use, and that other so generally prevailed, that I dare not presume to set this afoot again ; albeit (to tell you my opinion) 1 am persuaded that the lack hereof, well considered, will be found a great blemish to our tongue.
Page 122 - I might here observe, that the same single letter on many occasions does the office of a whole word, and represents the his and her of our forefathers.
Page 176 - But errs not Nature from this gracious end, From burning suns when livid deaths descend, When earthquakes swallow, or when tempests sweep Towns to one grave, whole nations to the deep? "No," ('tis replied) "the first Almighty Cause Acts not by partial, but by gen'ral laws; Th' exceptions few; some change since all began: And what created perfect?