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Page 2
... external appearance of anything . The Greek word itself is a derivative from ideīv , " to see ; " and in a philoso- phical sense signifies a mental representation of an object . the " idea " of an object , or action 2 ENGLISH STYLE .
... external appearance of anything . The Greek word itself is a derivative from ideīv , " to see ; " and in a philoso- phical sense signifies a mental representation of an object . the " idea " of an object , or action 2 ENGLISH STYLE .
Page 3
George Frederick Graham. the " idea " of an object , or action , we understand simply the impression made by that ... actions , or qualities for which they stand . For example , the word tree will , when written or pro- nounced , recall a ...
George Frederick Graham. the " idea " of an object , or action , we understand simply the impression made by that ... actions , or qualities for which they stand . For example , the word tree will , when written or pro- nounced , recall a ...
Page 4
... action ; but leaves us wholly in the dark as to the agent , degree , time , & c . , of that action . All this information we must gather from other sources . Hence it will appear that words require analysing and explaining , and this ...
... action ; but leaves us wholly in the dark as to the agent , degree , time , & c . , of that action . All this information we must gather from other sources . Hence it will appear that words require analysing and explaining , and this ...
Page 5
... actions , or the qualities belonging to them ; that is , from such things as can be felt , actions seen , or qualities perceived by the senses . All words repre- senting such ideas are termed " concrete . " The noun " man , " the verb ...
... actions , or the qualities belonging to them ; that is , from such things as can be felt , actions seen , or qualities perceived by the senses . All words repre- senting such ideas are termed " concrete . " The noun " man , " the verb ...
Page 14
... ) does something ( barks ) . The third is a passive form : it shows that the subject ( the pen ) received an action , or had something done to it ( mended ) . EXERCISE VII . State to which of these three forms 14 ENGLISH STYLE .
... ) does something ( barks ) . The third is a passive form : it shows that the subject ( the pen ) received an action , or had something done to it ( mended ) . EXERCISE VII . State to which of these three forms 14 ENGLISH STYLE .
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Common terms and phrases
abstract action analogy ancient Anglo-Saxon antonomasia army beautiful Cędmon Cęsar called cause character Chāteau Thierry circumstances close vowels composition Conclusion concrete consequences copula definition derived despatch effect enemy England English language English Notes example EXERCISE explain expression fable feeling figure following model following sentences form of argument form of reasoning French French language frequently genus Geography give Given proposition Greek habit History horse ideas impression Introduction Julius Cęsar king knowledge Latin learner letter LONGMAN Lord Lord Bolingbroke means ments metaphor metonymy mind moral nation nature never nouns object Ocańa open vowel opinion Palęstra passage passion period person pleasure pleonasm poet poetry possess practice predicate principle produced pronoun prose qualities question racter Roman Saxon sense signifies species square mathematical style taste tences things tion Trigonometry truth variety various verb vice virtue whole words writing
Popular passages
Page 232 - My duty towards God, is to believe in him, to fear him, and to love him with all my heart, with all my mind, with all my soul, and with all my strength; to worship him, to give him thanks, to put my whole trust in him, to call upon him, to honour his holy Name and his Word, and to serve him truly all the days of my life.
Page 254 - As bees In spring-time, when the Sun with Taurus rides, Pour forth their populous youth about the hive In clusters; they among fresh dews and flowers Fly to and fro, or on the smoothed plank, The suburb of their straw-built citadel, New rubbed with balm, expatiate, and confer Their state affairs: so thick the aery crowd Swarmed and were straitened; till, the signal given, Behold a wonder!
Page 332 - ... rubbish and clear obstructions from the paths through which learning and genius press forward to conquest and glory, without bestowing a smile on the humble drudge that facilitates their progress. Every other author may aspire to praise ; the lexicographer can only hope to escape reproach, and even this negative recompense has been yet granted to very few.
Page 317 - ... comfort : here a shepherd's boy piping, as though he should never be old ; there a young shepherdess knitting, and withal singing, and it seemed that her voice comforted her hands to work, and her hands kept time to her voice-music.
Page 161 - In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old: Be not the first by whom the new are tried, Nor yet the last to lay the old aside.
Page 334 - Then ensued a scene of woe, the like of which no eye had seen, no heart conceived, and which no tongue can adequately tell. All the horrors of war before known or heard of, were mercy to that new havoc. A storm of universal fire blasted every field, consumed every house, destroyed every temple.
Page 318 - As the great eye of heaven, shined bright, And made a sunshine in the shady place: Did never mortal eye behold such heavenly grace. It fortuned...
Page 316 - There were hills which garnished their proud heights with stately trees : humble valleys whose base estate seemed comforted with the refreshing of silver rivers; meadows enamelled with all sorts of eye-pleasing flowers ; thickets, which being lined with most pleasant shade were witnessed so to, by the cheerful disposition of many well-tuned birds ; each pasture stored with sheep feeding with sober security, while the pretty lambs with bleating oratory craved the...
Page 223 - Homer was the greater genius, Virgil the better artist. In one we most admire the man, in the other the work. Homer hurries and transports us with a commanding impetuosity, Virgil leads us with an attractive majesty. Homer scatters with a generous profusion, Virgil bestows with a careful magnificence.
Page 325 - ... prayer was broken, and his thoughts were troubled, and his words went up towards a cloud, and his thoughts pulled them back again and made them without intention...