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between the Gumti and the Gogra, whose confluences with the main stream mark its eastern and western limits respectively. The southern tract is a much smaller strip of country, enclosed between the Karamnasa and the great river itself. There are no hills in the district. A few lakes are scattered here and there, formed where the rivers have deserted their ancient channels. The largest is that of Suraha, once a northern bend of the Ganges, but now an almost isolated sheet of water, 5 m. long by about 4 broad. Ghazipur is said to be one of the hottest and dampest districts in the United Provinces. In 1901 the population was 913,818, showing a decrease of 11% in the decade. Sugar refining is the chief industry, and provides the principal article of export. The main line of the East Indian railway traverses the southern portion of the district, with a branch to the Ganges bank opposite Ghazipur town; the northern portion is served by the Bengal & North-Western system.

GHAZNI, a famous city in Afghanistan, the seat of an extensive empire under two medieval dynasties, and again of prominent interest in the modern history of British India. Ghazni stands on the high tableland of central Afghanistan, in 68° 18′ E. long., 33° 44′ N. lat., at a height of 7280 ft. above the sea, and on the direct road between Kandahar and Kabul, 221 m. by road N.E. from the former, and 92 m. S.W. from the latter. A very considerable trade in fruit, wool, skins, &c., is carried on between Ghazni and India by the Povindah kafilas, which yearly enter India in the late autumn and pass back again to the Afghan highlands in the early spring. The Povindah merchants invariably make use of the Gomal pass which leads to the British frontier at Dera Ismail Khan. The opening up of this pass and the British occupation of Wana, by offering protection to the merchants from Waziri blackmailing, largely increased the traffic.

Ghazni, as it now exists, is a place in decay, and probably does not contain more than 4000 inhabitants. It stands at the base of the terminal spur of a ridge of hills, an offshoot from the Gul-Koh, which forms the watershed between the Arghandáb, and Tarnak rivers. The castle stands at the northern angle of the town next the hills, and is about 150 ft. above the plain. The town walls stand on an elevation, partly artificial, and form an irregular square, close on a mile in circuit (including the castle), the walls being partly of stone or brick laid in mud, and partly of clay built in courses. They are flanked by numerous towers. There are three gates. The town consists of dirty and very irregular streets of houses several stories high, but with two straighter streets of more pretension, crossing near the middle of the town. Of the strategical importance of Ghazni there can hardly be a question. The view to the south is extensive, and the plain in the direction of Kandahar stretches to the horizon. It is bare except in the vicinity of the river, where villages and gardens are tolerably numerous. Abundant crops of wheat and barley are grown, as well as of madder, besides minor products. The climate is notoriously cold,snow lying 2 or 3 ft. deep for about three months, and tradition speaks of the city as having been more than once overwhelmed by snowdrift. Fuel is scarce, consisting chiefly of prickly shrubs. In summer the heat is not like that of Kandahar or Kabul, but the radiation from the bare heights renders the nights oppressive, and constant dust-storms occur. It is evident that the present restricted walls cannot have contained the vaunted city of Mahmud. Probably the existing site formed the citadel only of his city. The remarks of Ibn Batuta (c. 1332) already suggest the present state of things, viz. a small town occupied, a large space of ruin; for a considerable area to the N.E. is covered with ruins, or rather with a vast extent of shapeless mounds, which are pointed out as Old Ghazni. The only remains retaining architectural character are two remarkable towers rising to the height of about 140 ft., and some 400 yds. apart from each other. They are similar, but whether identical, in design, is not clearly recorded. They belong, on a smaller and far less elaborate scale, to the same class as the Kutb Minar at Delhi (q.v.). Arabic inscriptions in Cufic characters show the most northerly to have been the work of Mahmud himself, the

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other that of his son Masa'ud. On the Kabul road, a mile beyond the Minaret of Mahmud, is a village called Rauzah (" the Garden," a term often applied to garden-mausoleums). Here, in a poor garden, stands the tomb of the famous conqueror. It is a prism of white marble standing on a plinth of the same, and bearing a Cufic inscription praying the mercy of God on the most noble Amir, the great king, the lord of church and state, Abul Kasim Mahmud, son of Sabuktagin. The tomb stands in a rude chamber, covered with a dome of clay, and hung with old shawls, ostrich eggs, tiger-skins and so forth. The village stands among luxuriant gardens and orchards, watered by a copious aqueduct. Sultan Baber celebrates the excellence of the grapes of Rauzah.

There are many holy shrines about Ghazni surrounded by orchards and vineyards. Baber speaks of them, and tells how he detected and put a stop to the imposture of a pretended miracle at one of them.. These sanctuaries make Ghazni a place of Moslem pilgrimage, and it is said that at Constantinople much respect is paid to those who have worshipped at the tomb of the great Ghazi. To test the genuineness of the boast, professed pilgrims are called on to describe the chief notabilia of the place, and are expected to name all those detailed in certain current Persian verses.

History. The city is not mentioned by any narrator of Alexander's expedition, nor by any ancient author so as to admit of positive recognition. But it is very possibly the Gazaca which Ptolemy places among the Paropamisadae, and this may not be inconsistent with Sir H. Rawlinson's identification of it with Gazos, an Indian city spoken of by two obscure Greek poets as an impregnable place of war. The name is probably connected with the Persian and Sanskrit ganj and ganja, a treasury (whence the Greek and Latin Gaza). We seem to have positive evidence of the existence of the city before the Mahommedan times (644) in the travels of the Chinese pilgrim, Hsuan Tsang, who speaks of Ho-si-na (i.e. probably Ghazni) as one of the capitals of Tsaukuta or Arachosia, a place of great strength. In early Mahommedan times the country adjoining Ghazni was called Zabul. When the Mahommedans first invaded that region Ghazni was a wealthy entrepot of the Indian trade. Of the extent of this trade some idea is given by Ibn Haukal, who states that at Kabul, then a mart of the same trade, there was sold yearly indigo to the value of two million dinars (£1,000,000). The enterprise of Islam underwent several ebbs and flows over this region. The provinces on the Helmund and about Ghazni were invaded as early as the caliphate of Moaiya (662-680). The arms of Yaqub b. Laith swept over Kabul and Arachosia (Al-Rukhaj) about 871, and the people of the latter country were forcibly converted. Though the Hindu dynasty of Kabul held a part of the valley of Kabul river till the time of Mahmud, it is probably to the period just mentioned that we must refer the permanent Mahommedan occupation of Ghazni. Indeed, the building of the fort and city is ascribed by a Mahommedan historian to Amr b. Laith, the brother and successor of Ya'kub (d. 901), though the facts already stated discredit this. In the latter part of the 9th century the family of the Samanid, sprung from Samarkand, reigned in splendour at Bokhara. Alptagin, originally a Turkish slave, and high in the service of the dynasty, about the middle of the 10th century, losing the favour of the court, wrested Ghazni from its chief (who is styled Abu Bakr Lawik, wali of Ghazni), and established himself there. His government was recognized from Bokhara, and held till his death. In 977 another Turk slave, Sabuktagin, who had married the daughter of his master Alptagin, obtained rule in Ghazni. He made himself lord of nearly all the present territory of Afghanistan and of the Punjab. In 997 Mahmud, son of Sabuktagin, succeeded to the government, and with his name Ghazni and the Ghaznevid dynasty have beome perpetually associated. Issuing forth year after year from that capital, Mahmud (q.v.) carried fully seventeen expeditions of devastation through northern India and Gujarat, as well as others to the north and west. From the borders of Kurdistan to Samarkand, from the Caspian to the Ganges, his authority was acknowledged.

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Ibn Batuta (c. 1332) says the greater part of the city was in ruins, and only a small part continued to be a town. Timur seems never to have visited Ghazni, but we find him in 1401 bestowing the government of Kabul, Kandahar, and Ghazni on Pir Mahommed, the son of his son Jahangir. In the end of the century it was still in the hands of a descendant of Timur, Ulugh Beg Mirza, who was king of Kabul and Ghazni. The illustrious nephew of this prince, Baber, got peaceful possession of both cities in 1504, and has left notes on both in his own inimitable Memoirs. His account of Ghazni indicates how far it had now fallen. "It is," he says, "but a poor mean place, and I have always wondered how its princes, who possessed also Hindustan and Khorasan, could have chosen such a wretched country for the seat of their government, in preference to Khorasan." He commends the fruit of its gardens, which still contribute largely to the markets of Kabul. Ghazni remained in the hands of Baber's descendants, reigning at Delhi and Agra, till the invasion of Nadir Shah (1738), and became after Nadir's death a part of the new kingdom of the Afghans under Ahmad Shah Durani. We know of but two modern travellers who have recorded visits to the place previous to the war of 1839. George Forster passed as a disguised traveller with a qafila in 1783. "Its slender existence," he says, "is now maintained by some Hindu families, who support a small traffic, and supply the wants of the few Mahommedan residents." Vigne visited it in 1836, having reached it from Multan with a caravan of Lohani merchants, travelling by the Gomal pass. The historical name of Ghazni was brought back from the dead, as it were, by the news of its capture by the British army under Sir John Keane, 23rd July 1839. The siege artillery had been left behind at Kandahar; escalade was judged impracticable; but the project of the commanding engineer, Captain George Thomson, for blowing in the Kabul gate with powder in bags, was adopted, and carried out successfully, at the cost of 182 killed and wounded. Two years and a half later the Afghan outbreak against the British occupation found Ghazni garrisoned by a Bengal regiment of sepoys, but neither repaired nor provisioned. They held out under great hardships from the 16th of December 1841 to the 6th of March 1842, when they surrendered. In the autumn of the same year General Nott, advancing from Kandahar upon Kabul, reoccupied Ghazni, destroyed the defences of the castle and part of the town, and carried away the famous gates of Somnath (q.v.).

The wealth brought back to Ghazni was enormous, and contemporary historians give glowing descriptions of the magnificence of the capital, as well as of the conqueror's munificent support of literature. Mahmud died in 1030, and some fourteen kings of his house came after him; but though there was some revival of importance under Ibrahim (1059–1099), the empire never reached anything like the same splendour and power. It was overshadowed by the Seljuks of Persia, and by the rising rivalry of Ghor (q.v.), the hostility of which it had repeatedly provoked. Bahram Shah (1118-1152) put to death Kutbuddin, one of the princes of Ghor, called king of the Jibal or Hill country, who had withdrawn to Ghazni. This prince's brother, Saifuddin Suri, came to take vengeance, and drove out Bahram. But the latter recapturing the place (1149) paraded Saifuddin and his vizier ignominiously about the city, and then hanged them on the bridge. Ala-uddin of Ghor, younger brother of the two slain princes, then gathered a great host, and came against Bahram, who met him on the Helmund. The Ghori prince, after repeated victories, stormed Ghazni, and gave it over to fire and sword. The dead kings of the house of Mahmud, except the conqueror himself and two others, were torn from their graves and burnt, whilst the bodies of the princes of Ghor were solemnly disinterred and carried to the distant tombs of their ancestors. It seems certain that Ghazni never recovered the splendour that perished then (1152). Ala-uddin, who from this deed became known in history as Jahān-soz (Brûlemonde), returned to Ghor, and Bahram reoccupied Ghazni; he died in 1157. In the time of his son Khusru Shah, Ghazni was taken by the Turkish tribes called Ghuzz (generally believed to have been what are now called Turkomans). The king fled to Lahore, and the dynasty ended with his son. In 1173 the Ghuzz were expelled by Ghiyasuddin sultan of Ghor (nephew of Ala-uddin Jahansoz), who made Ghazni over to his brother Muizuddin. This famous prince, whom the later historians call Mahommed Ghori, shortly afterwards (1174-1175) invaded India, taking Multan and Uchh. This was the first of many successive inroads on western and northern India, in one of which Lahore was wrested from Khusru Malik, the last of Mahmud's house, who died a captive in the hills of Ghor. In 1192 Prithvi Rai or Pithora (as the Moslem writers call him), the Chauhan king of Ajmere, being defeated and slain near Thanewar, the whole country from the Himalaya to Ajmere became subject to the Ghori king of Ghazni. On the death of his brother Ghiyasuddin, with whose power he had been constantly associated, and of whose conquests he had been the chief instrument, Muizuddin became sole sovereign over Ghor and Ghazni, and the latter place was then again for a brief period the seat of an empire nearly as extensive as that of Mahmud the son of Sabuktagin. Muizuddin crossed the Indus once more to put down a rebellion of the Khokhars in the Punjab, and on his way back was murdered by a band of them, or, as some say, by one of the Mulahidah or Assassins. The slave lieutenants of Muizuddin carried on the conquest of India, and as the rapidly succeeding events broke their dependence on any master, they established at Delhi that monarchy of which, after it had endured through many dynasties, and had culminated with the Mogul house of Baber, the shadow perished in 1857. The death of Muizuddin was followed by struggle and anarchy, ending for a time in the annexation of Ghazni to the empire of Khwarizm by Mahommed Shah, who conferred it on his famous son, Jelaluddin, and Ghazni became the headquarters of the latter. After Jenghiz Khan had extinguished the power of his family in Turkestan, Jelaluddin defeated the army sent against him by the Mongol at Parwan, north of Kabul. Jenghiz then advanced and drove Jelaluddin across the Indus, after which he sent Ogdai his son to besiege Ghazni. Henceforward Ghazni is much less prominent in Asiatic history. It continued subject to the Mongols, sometimes to the house of Hulagu in Persia, and sometimes to that of Jagatai in Turkestan. In 1326, after a battle between Amir Hosain, the viceroy of the former house in Khorasan, and Tarmashirin, the reigning khan of Jagatai, the former entered Ghazni and once more subjected it to devastation, and this time the tomb of Mahmud to desecration.

GHEE (Hindostani ghi), a kind of clarified butter made in the East. The best is prepared from butter of the milk of cows, the less esteemed from that of buffaloes. The butter is melted over a slow fire, and set aside to cool; the thick, opaque, whitish, and more fluid portion, or ghee, representing the greater bulk of the butter, is then removed. The less liquid residue, mixed with ground-nut oil, is sold as an inferior kind of ghee. It may be obtained also by boiling butter over a clear fire, skimming it the while, and, when all the water has evaporated, straining it through a cloth. Ghee which is rancid or tainted, as is often that of the Indian bazaars, is said to be rendered sweet by boiling with leaves of the Moringa plerygosperma or horse-radish tree. In India ghee is one of the commonest articles of diet, and indeed enters into the composition of everything eaten by the Brahmans. It is also extensively used in Indian religious ceremonies, being offered as a sacrifice to idols, which are at times bathed in it. Sanskrit treatises on therapeutics describe ghee as cooling, emollient and stomachic, as capable of increasing the mental powers, and of improving the voice and personal appearance, and as useful in eye-diseases, tympanitis, painful dyspepsia, wounds, ulcers and other affections. Old ghee is in special repute among the Hindus as a medicinal agent, and its efficacy as an external application is believed by them to increase with its age. Ghee more than ten years old, the purana ghrita of Sanskrit materia medicas, has a strong odour and the colour of lac. Some specimens which have been much longer preserved→ and "clarified butter a hundred years old is often heard of ”— have an earthy look, and are quite dry and hard, and nearly inodorous. Medicated ghee is made by warming ordinary ghee

to remove contained water, melting, after the addition of a little turmeric juice, in a metal pan at a gentle heat, and then boiling with the prepared drugs till all moisture is expelled, and straining through a cloth.

GHEEL, or GEEL, a town of Belgium, about 30 m. E. of Antwerp and in the same province. Pop. (1904) 14,087. It is remarkable on account of the colony of insane persons which has existed there for many centuries. The legend reads that in the year 600 Dymphna, an Irish princess, was executed here by her father, and in consequence of certain miracles she had effected she was canonized and made the patron saint of the insane. The old Gothic church is dedicated to her, and in the choir is a shrine, enclosing her relics, with fine panel paintings representing incidents in her life by, probably, a contemporary of Memling. The colony of the insane is established in the farms and houses round the little place within a circumference of 30 m. and is said to have existed since the 13th century. This area is divided into four sections, each having a doctor and a superintendent attached to it. The Gheel system is regarded as the most humane method of dealing with the insane who have no homicidal tendencies, as it keeps up as long as possible their interest in life.

GHENT (Flem. Gent, Fr. Gand), the capital of East Flanders, Belgium, at the junction of the Scheldt and the Lys (Ley): Pop. (1880) 131,431, (1904) 162,482. The city is divided by the rivers (including the small streams Lieve and Moere) and by canals, some navigable, into numerous islands connected by over 200 bridges of various sorts. Within the limits of the town, which is 6 m. in circumference, are many gardens, meadows and promenades; and, though its characteristic lanes are gloomy and narrow, there are also broad new streets and fine quays and docks. The most conspicuous building in the city is the cathedral of St Bavon1 (Sint Baafs), the rich interior of which contrasts strongly with its somewhat heavy exterior. Its crypt dates from 941, the choir from 1274-1300, the Late Gothic choir chapels from the 15th century, and the nave and transept from 1533-1554. Among the treasures of the church is the famous Worship of the Lamb" by Hubert and Jan van Eyck. Of the original 12 panels, taken to France during the Revolutionary Wars, only 4 are now here, 6 being in the Berlin museum and two in that of Brussels. Among the other 55 churches may be mentioned that of St Nicholas, an Early Gothic building, the oldest church in date of foundation in Ghent, and that of St Michael, completed in 1480, with an unfinished tower. In the centre of the city stands the unfinished Belfry (Beffroi), a square tower some 300 ft. high, built 1183-1339. It has a cast-iron steeple (restored in 1854), on the top of which is a gold dragon which, according to tradition, was brought from Constantinople either by the Varangians or by the emperor Baldwin after the Latin conquest. Close to it is the former Cloth-hall, a Gothic building of 1325. The hôtel-de-ville consists of two distinct parts. The northern façade, a magnificent example of Flamboyant Gothic, was erected between 1518 and 1533, restored in 1829 and again some fifty years later. The eastern façade overlooking the market-place was built in 1595-1628, in the Renaissance style, with three tiers of columns. It contains a valuable collection of archives, from the 13th century onwards. On the left bank of the Lys is the Oudeburg (s'Gravenstein, Château des Contes), the former castle of the first counts of Flanders, dating from 1180 and now restored. The château of the later counts, in which the emperor Charles V. was born, is commemorated only in the name of a street, the Cours des Princes.

To the north of the Oudeburg, on the other side of the Lys, is the Marché du Vendredi, the principal square of the city. This was the centre of the life of the medieval city, the scene of all great public functions, such as the homage of the burghers to

1 Bavo, or Allowin (c. 589-c. 653), patron saint of Ghent, was a nobleman converted by St Amandus, the apostle of Flanders. He lived first as an anchorite in the forest of Mendonk, and afterwards in the monastery founded with his assistance by Amandus at Ghent.

the counts, and of the auto-da-fés under the Spanish regime. In it stands a bronze statue of Jacob van Artevelde, by DevigneQuyo, erected in 1863. At a corner of the square is a remarkable cannon, known as Dulle Griete (Mad Meg), 19 ft. long and 11 ft. in circumference. It is ornamented with the arms of Philip the Good, duke of Burgundy, and must have been cast between 1419 and 1467. On the Scheldt, near the Place Laurent, is the Geerard-duivelsteen (château of Gerard the Devil), a 13th-century tower formerly belonging to one of the patrician families, now restored and used as the office of the provincial records. Of modern buildings may be mentioned the University (1826), the Palais de Justice (1844), and the new theatre (1848), all designed by Roelandt, and the Institut des Sciences (1890) by A. Pauli. In the park on the site of the citadel erected by Charles V. are some ruins of the ancient abbey of St Bavon and of a 12th-century octagonal chapel dedicated to St Macharius. In the park is also situated the Museum of Fine Arts, completed in 1902.

One of the most interesting institutions of Ghent is the great Béguinage (Begynhof) which, originally established in 1234 by the Bruges gate, was transferred in 1874 to the suburb of St Amandsberg. It constitutes a little town of itself, surrounded by walls and a moat, and contains numerous small houses, 18 convents and a church. It is occupied by some 700 Beguines, women devoted to good works (see BEGUINES). Near the station is a second Béguinage with 400 inmates. In addition to these there were in Ghent in 1901 fifty religious houses of various orders. As a manufacturing centre Ghent, though not so conspicuous as it was in the middle ages, is of considerable importance. The main industries are cotton-spinning, flax-spinning, cottonprinting, tanning and sugar refining; in addition to which there are iron and copper foundries, machine-building works, breweries and factories of soap, paper, tobacco, &c. As a trading centre the city is even more important. It has direct communication with the sea by a ship-canal, greatly enlarged and deepened since 1895, which connects the Grand Basin, stretching along the north side of the city, with a spacious harbour excavated at Terneuzen on the Scheldt, 21 m. to the north, thus making Ghent practically a sea-port; while a second canal, from the Lys, connects the city via Bruges with Ostende.

Among the educational establishments is the State University, founded by King William I. of the Netherlands in 1816. With it are connected a school of engineering, a school of arts and industries and the famous library (about 300,000 printed volumes and 2000 MSS.) formerly belonging to the city. In addition there are training schools for teachers, an episcopal seminary, a conservatoire and an art academy with a fine collection of pictures mainly taken from the religious houses of the city on their suppression in 1795. The oldest Belgian newspaper, the Gazet van Gent, was founded here in 1667.

History. The history of the city is closely associated with that of the countship of Flanders (q.v.), of which it was the seat. It is mentioned so early as the 7th century and in 868 Baldwin of the Iron Arm, first count of Flanders, who had been entrusted by Charles the Bald with the defence of the northern marches, built a castle here against the Normans raiding up the Scheldt. This was captured in 949 by the emperor Otto I. and was occupied by an imperial burgrave for some fifty years, after which it was retaken by the counts of Flanders. Under their protection, and favoured by its site, the city rapidly grew in wealth and population, the zenith of its power and prosperity being reached between the 13th and 15th centuries, when it was the emporium of the trade of Germany and the Low Countries, the centre of a great cloth industry, and could put some 20,000 armed citizens into the field. The wealth of the burghers during this period was equalled by their turbulent spirit of independence; feuds were frequent,-against the rival city of Bruges, against the counts, or, within the city itself, between the plebeian crafts and the patrician governing class. Of these risings the most notable was that, in the earlier half of the 14th century, against Louis de Crécy, count of Flanders, under the leadership of Jacob van Artevelde (q.v.).

The earliest charter to the citizens of Ghent was that granted | it with ruin; but improved sanitation, the provision of a supply

by Count Philip of Flanders between 1169 and 1191. It did little more than arrange for the administration of justice by nominated jurats (scabini) under the count's bailli. Far more comprehensive was the second charter, granted by Philip's widow Mathilda, after his death on crusade in 1191, as the price paid for the faithfulness of the city to her cause. The magistrates of the city were still nominated scabini (fixed at thirteen), but their duties and rights were strictly defined and the liberties of the citizens safe-guarded; the city, moreover, received the right to fortify itself and even individuals within it to fortify their houses. This charter was confirmed and extended by Count Baldwin VIII. when he took over the city from Mathilda, an important new provision being that general rules for the government of the city were only to be made by arrangement between the count or his officials and the common council of the citizens. The burghers thus attained to a very considerable measure of self-government. A charter of 1212 of Count Ferdinand (of Portugal) and his wife Johanna introduced a modified system of election for the scabini; a further charter (1228) fixed the executive at 39 members, including scabini and members of the commune, and ordained that the bailli of the count and his servientes, like the podestàs of Italian cities, were not to be natives of Ghent.

of pure water and the demolition of a mass of houses unfit for habitation soon effected a radical cure.

See L. A. Warnkönig, Flandrische Staats- und Rechtsgeschichte bis 1305 (3 vols., Tübingen, 1835-1842), and Gueldorf, Hist. de Gand, translated from Warnkönig, with corrections and additions (Brussels, 1846); F. de Potter, Gent van den oudsten tijd tot heden (6 vols, Ghent, 1883-1891); Van Duyse, Gand monumental et pittoresque (Brussels, 1886); de Vlaminck, Les Origines de la ville de Gand (Brussels, 1891); Annales Gandenses, ed. G. Funck-Brentano (Paris, 1895); Vuylsteke, Oorkondenboek der stad Gent (Ghent, 1900, &c.); Karl Hegel, Städte und Gilden (Leipzig, 1891), vol. ii. p. 175, where further authorities are cited. For a comprehensive bibliography, including monographs and published documents, see Ulysse Chevalier, Répertoire des sources hist. Topo-bibliogr., s.v. "Gand."

GHETTO, formerly the street or quarter of a city in which Jews were compelled to live, enclosed by walls and gates which were locked each night. The term is now used loosely of any locality in a city or country where Jews congregate. The derivation of the word is doubtful. In documents of the 11th century the Jewquarters in Venice and Salerno are styled “Judaca or Judacaria." At Capua in 1375 there was a place called San Nicolo ad Judaicam, and later elsewhere a quarter San Martino ad Judaicam. Hence it has been suggested Judaicam became Thus far the constitution of the city had been wholly aristo- Italian Giudeica and thence became corrupted into ghetto. cratic; in the 13th century the patricians seem to have been | Another theory traces it to "gietto," the common foundry at united into a gild (Commans-gulde) from whose members the Venice near which was the first Jews' quarters of that city. magistrates were chosen. By the 14th century, however, the More probably the word is an abbreviation of Italian borghetto democratic craft gilds, notably that of the weavers, had asserted diminutive of borgo a "borough." themselves; the citizens were divided for civic and military purposes into three classes; the rich (i.e. those living on capital), the weavers and the members of the 52 other gilds. In the civic executive, as it existed to the time of Charles V., the deans of the two lower classes sat with the scabini and councillors.

The constitution and liberties of the city, which survived its incorporation in Burgundy, were lost for a time as a result of the unsuccessful rising against Duke Philip the Good (1450). The citizens, however, retained their turbulent spirit. After the death of Mary of Burgundy, who had resided in the city, they forced her husband, the archduke Maximilian, to conclude the treaty of Arras (1482). They were less fortunate in their opposition to Maximilian's son, the emperor Charles V. In 1539 they refused, on the plea of their privileges, to contribute to a general tax laid on Flanders, and when Charles's sister Mary, the governess of the Netherlands, seized some merchants as bail for the payment, they retaliated by driving out the nobles and the adherents of Charles's government. The appearance of Charles himself, however, with an overwhelming force quelled the disturbance; the ringleaders were executed, and all the property and privileges of the city were confiscated. In addition, a fine of 150,000 golden gulden was levied on the city, and used to build the "Spanish Citadel" on the site of what is now the public park.

In the long struggle of the Netherlands against Spain, Ghent took a conspicuous part, and it was here that, on the 8th of November 1576, was signed the instrument, known as the Pacification of Ghent, which established the league against Spanish tyranny. In 1584, however, the city had to surrender on onerous terms to the prince of Parma.

The earliest regular ghettos were established in Italy in the 11th century, though Prague is said to have had one in the previous century. The ghetto at Rome was instituted by Paul IV. in 1556. It lay between the Via del Pianto and Ponte del Quattro Capi, and comprised a few narrow and filthy streets. It lay so low that it was yearly flooded by the Tiber. The Jews had to sue annually for permission to live there, and paid a yearly tax for the privilege. This formality and tax survived till 1850. During three centuries there were constant changes in the oppressive regulations imposed upon the Jews by the popes. In 1814 Pius VII. allowed a few Jews to live outside the ghetto, and in 1847 Pius IX. decided to destroy the gates and walls, but public opinion hindered him from carrying out his plans. In 1870 the Jews petitioned Pius IX. to abolish the ghetto; but it was to Victor Emmanuel that this reform was finally due. The walls remained until 1885.

During the middle ages the Jews were forbidden to leave the ghetto after sunset when the gates were locked, and they were also imprisoned on Sundays and all Christian holy days. Where the ghetto was too small for the carrying on of their trades, a site beyond its wall was granted them as a market, e.g. the Jewish Tandelmarkt at Prague. Within their ghettos the Jews were left much to their own devices, and the more important ghettos, such as that at Prague, formed cities within cities, having their own town halls and civic officials, hospitals, schools and rabbinical courts. Fires were common in ghettos and, owing to the narrowness of the streets, generally very destructive, especially as from fear of plunder the Jews themselves closed their gates on such occasions and refused assistance. On the 14th of June The horrors of war and of religious persecution, and the conse- 1711 a fire, the largest ever known in Germany, destroyed quent emigration or expulsion of its inhabitants, had wrecked the within twenty-four hours the ghetto at Frankfort-on-Main. prosperity of Ghent, the recovery of which was made impossible Other notable ghetto fires are that of Bari in 1030 and Nikolsby the closing of the Scheldt. The city was captured by the burg in 1719. The Jews were frequently expelled from their French in 1698, 1708 and 1745. After 1714 it formed part of ghettos, the most notable expulsions being those of Vienna the Austrian Netherlands, and in 1794 became the capital of the (1670) and Prague (1744-1745). This latter exile was during French department of the Scheldt. In 1814 it was incorporated the war of the Austrian Succession, when Maria Theresa, on the in the kingdom of the United Netherlands, and it was here that ground that they were fallen into disgrace," ordered Jews to Louis XVIII. of France took refuge during the Hundred Days. leave Bohemia. The empress was, however, induced by the Here too was signed (December 24, 1814) the treaty of peace protests of the powers, especially of England and Holland, to between Great Britain and the United States of America. After revoke the decree. Meantime the Jews, ignorant of the revoca1815 Ghent was for a time the centre of Catholic opposition to tion, petitioned to be allowed to return in payment of a yearly Dutch rule, as it is now that of the Flemish movement in Belgium. tax. This tax the Bohemian Jews paid until 1846. The most During the 19th century its prosperity rapidly increased. In 1866 important ghettos were those at Venice, Frankfort, Prague and 1867, however, a serious outbreak of cholera again threatened | Trieste. By the middle of the 19th century the ghetto system

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was moribund, and with the disappearance of the ghetto at Rome | human nature. He appears to have cared as little as Donatello in 1870 it became obsolete.

See D. Philipson, Old European Jewries (Philadelphia, 1894); Israel Abrahams, Jewish Life in the Middle Ages (1896); S. Kahn, article "Ghetto" in Jewish Encyclopedia, v. 652.

for money.

Benvenuto Cellini's criticism on Ghiberti that in his creations of plastic art he was more successful in small than in large figures, and that he always exhibited in his works the peculiar excellences of the goldsmith's quite as much as those of the sculptor's art, is after all no valid censure, for it merely affirms that Ghiberti faithfully complied with the peculiar conditions of the task imposed upon him. More frequent have been the discussions as to the part played by perspective in his representations of

discovery of the data, from which it appeared that Paolo Uccello, who had commonly been regarded as the first great master of perspective, worked for several years in the studio or workshop of Ghiberti, so that it became difficult to determine to what extent Uccello's successful innovations in perspective were due to Ghiberti's teaching.

GHIBERTI, LORENZO (1378-1455), Italian sculptor, was born at Florence in 1378. He learned the trade of a goldsmith under his father Ugoccione, commonly called Cione, and his stepfather Bartoluccio; but the goldsmith's art at that time included all varieties of plastic arts, and required from those who devoted themselves to its higher branches a general and profound know-natural scenery. These acquired a fresh importance since the ledge of design and colouring. In the early stage of his artistic career Ghiberti was best known as a painter in fresco, and when Florence was visited by the plague he repaired to Rimini, where he executed a highly prized fresco in the palace of the sovereign Pandolfo Malatesta. He was recalled from Rimini to his native city by the urgent entreaties of his stepfather Bartoluccio, who informed him that a competition was to be opened for designs of a second bronze gate in the baptistery, and that he would do wisely to return to Florence and take part in this great artistic contest. The subject for the artists was the sacrifice of Isaac; and the competitors were required to observe in their work a certain conformity to the first bronze gate of the baptistery, executed by Andrea Pisano about 100 years previously. Of the six designs presented by different Italian artists, those of Donatello, Brunelleschi and Ghiberti were pronounced the best, and of the three Brunelleschi's and Ghiberti's superior to the third, and of such equal merit that the thirty-four judges with whom the decision was left entrusted the execution of the work to the joint labour of the two friends. Brunelleschi, however, withdrew from the contest. The first of his two bronze gates for the baptistery occupied Ghiberti twenty years.

Ghiberti brought to his task a deep religious feeling and the striving after a high poetical ideal which are not to be found in the works of Donatello, though in power of characterization the second sculptor often stands above the first. Like Donatello, he seized every opportunity of studying the remains of ancient art; but he sought and found purer models for imitation than Donatello, through his excavations and studies in Rome, had been able to secure. The council of Florence, which met during the most active period of Ghiberti's artistic career, not only secured him the patronage of the pontiff, who took part in the council, but enabled him, through the important connexions which he then formed with the Greek prelates and magnates assembled in Florence, to obtain from many quarters of the Byzantine empire the precious memorials of old Greek art, | which he studied with untiring zeal. The unbounded admiration called forth by Ghiberti's first bronze gate led to his receiving from the chiefs of the Florentine gilds the order for the second, of which the subjects were likewise taken from the Old Testament. The Florentines gazed with especial pride on these magnificent creations, which must still have shone with all the brightness of their original gilding when, a century later, Michelangelo pronounced them worthy to be the gates of paradise. Next to the gates of the baptistery Ghiberti's chief works still in existence are his three statues of St John the Baptist, St Matthew and St Stephen, executed for the church of Or San Michele. In the bas-relief of the coffin of St Zenobius, in the Florence cathedral, Ghiberti put forth much of his peculiar talent, and though he did not, as is commonly stated, execute entirely the painted glass windows in that edifice, he furnished several of the designs, and did the same service for a painted glass window in the church of Or San Michele. He died at the age of 77.

We are better acquainted with Ghiberti's theories of art than with those of most of his contemporaries, for he left behind him a commentary, in which, besides his notices of art, he gives much insight into his own personal character and views. Every page attests the religious spirit in which he lived and worked. Not only does he aim at faithfully reflecting Christian truths in his creations, he regards the old Greek statues with a kindred feeling, as setting forth the highest intellectual and moral attributes of

Cicognara's criticism on Ghiberti, in his History of Sculpture, has supplied the chief materials for the illustrative text of Lasinio's series of engravings of the three bronze gates of the baptistery. They consist of 42 plates in folio, and were published at Florence by Bardi in 1821. Still more vivid representations are the reproductions on a very large scale by the photographic establishment of (1864), and A. F. Rio, in his Art chrétien (1861-1867), have treated Alinari. Both C. C. Perkins, in his History of Tuscan Sculpture Ghiberti's works with much fulness, and in a spirit of sound appreciation. See also the chapter expressly devoted to the history of the competition for the baptistery gates in Hans Semper, Donatello (1887); the articles by Adolf Rosemberg in Dohme's Kunst und Künstler des Mittelalters (Leipzig, 1877); Leader Scott, Ghiberti and Donatello (1882). In the Sammlung ausgewählter Biographien Vasari, ed. Carl Frey, vol. iii. (1886), is given Ghiberti's commentary on art.

GHICA, GHIKA or GHYKA, a family which played a great part in the modern development of Rumania, many of its members being princes of Moldavia and Walachia. According to Rumanian historians the Ghicas were of very humble origin, and came from Kiupru in Albania.

1. George or Gheorghe (c. 1600-1664), the founder of the family, is said to have been a playmate of another Albanian known in history as Küpruli Aga, the famous vizier, who recognized George while he was selling melons in the streets of Constantinople, and helped him on to high positions. George became prince of Moldavia in 1658 and prince of Walachia in 1659-1660. He moved the capital from Tirgovishtea to Bucharest. From him are derived the numerous branches of the family which became so conspicuous in the history of Moldavia and Walachia.

2. The Walachian branch starts afresh from the great ban Demetrius or Dumitru Ghica (1718-1803), who was twice married and had fourteen children (see RUMANIA: History). One of these, Gregory (Grigorie), prince of Walachia 1822-1828, starts a new era of civilization, by breaking with the traditions of the Phanariot (Greek) period and assisting in the development of a truly national Rumanian literature. His brother, Prince Alexander Ghica, appointed jointly by Turkey and Russia (1834-1842) as hospodar of Walachia, died in 1862. Under him the so-called règlement organique had been promulgated; an attempt was made to codify the laws in conformity with the institutions of the country and to secure better administration of justice. Prince Demetrius Ghica, who died as president of the Rumanian senate in 1897, was the son of the Walachian prince Gregory.

3. Another Gregory Ghica, prince of Moldavia from 1775 to 1777, paid with his life for the opposition he offered when the Turks ceded the province of Bukovina to Austria.

4. Michael (Michail) (1794-1850) was the father of Elena (1827-1888), a well-known novelist, who wrote under the name of Dora d'Istria. Brought up, as was customary at the time, under Greek influences, she showed premature intelligence and literary power. She continued her education in Germany and married a Russian prince, Koltsov Mazalskiy, in 1849, but the marriage was an unhappy one, and in 1855 she left St Petersburg for Florence, where she died in 1888. In that city she developed her literary talent and published a number of works characterized by lightness of touch and brilliance of description, such as

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