 Painting, or art generally, as such, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable as the vehicle of thought, but by itself nothing. He who has learned what is commonly considered...  Degeneration - Page 79by Max Simon Nordau - 1895 - 566 pagesFull view - About this book
 | English literature - 1847 - 584 pages
...Painting, or art generally, as such, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable...as the vehicle of thought, but by itself, nothing. He who has learned what is commonly considered the whole art of painting, that is, the art of representing... | |
 | 1847 - 574 pages
...such^ with all ite technicalities^, $%•, cullies, and particular ends, is nothing but a noble und expressive language, invaluable as the vehicle of thought, but by itself, nothing. He who has learned what is commonly considered the whola ,art of painting, that is, the art of representing... | |
 | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - English literature - 1856 - 596 pages
...' that painting, or art generally, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language. invaluable...as the vehicle of thought, but by itself nothing. He who has learned what is commonly considered the whole art of painting— that is, the art of representing... | |
 | John Ruskin, Louisa Caroline Tuthill - Aesthetics - 1859 - 504 pages
...Painting, or art generally, as such, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable...as the vehicle of thought, but by itself nothing, He who has learned what is commonly considered the whole art of painting, that is, the art of representing... | |
 | John Ruskin, Louisa Caroline Tuthill - Aesthetics - 1859 - 496 pages
...Painting, or art generally, as such, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable...as the vehicle of thought, but by itself nothing. He who has learned what is commonly considered the whole art of painting, that is, the art of representing... | |
 | Peter Bayne - Authors, English - 1860 - 432 pages
...Painting, or Art generally, as such, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable...as the vehicle of thought, but by itself nothing. He who has learned what is commonly considered the whole art of painting, that is, the art of representing... | |
 | 1868 - 970 pages
...such," said Mr. Euskin, long sigo, "with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable...as the vehicle of thought, but by itself nothing. He who has learned -what is commonly considered the whole art of painting, that is, the art of representing... | |
 | Theology - 1868 - 396 pages
...Painting, or art generally, as such, with all its many technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable...as the vehicle of thought, but by itself nothing. He who has learned what is commonly considered the whole art of painting, that is, the art of representing... | |
 | John Ruskin - 1868 - 506 pages
...Painting, or art generally, as such, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable...as the vehicle of thought, but by itself nothing. lie who has learned what is commonly considered the whole art of painting, that is, the art of representing... | |
 | John Ruskin, Louisa Caroline Tuthill - Aesthetics - 1872 - 500 pages
...Painting, or art generally, as such, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable...as the vehicle of thought, but by itself nothing. He who has learned what is commonly considered the whole art of painting, that is, the art of representing... | |
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