Henry James Goes to ParisHenry James's reputation as The Master is so familiar that it's hard to imagine he was ever someone on whom some things really were lost. This is the story of the year--1875 to 1876--when the young novelist moved to Paris, drawn by his literary idols living at the center of the early modern movement in art. As Peter Brooks skillfully recounts, James largely failed to appreciate or even understand the new artistic developments teeming around him during his Paris sojourn. But living in England twenty years later, he would recall the aesthetic lessons of Paris, and his memories of the radical perspectives opened up by French novelists and painters would help transform James into the writer of his adventurous later fiction. A narrative that combines biography and criticism and uses James's writings to tell the story from his point of view, Henry James Goes to Paris vividly brings to life the young American artist's Paris year--and its momentous artistic and personal consequences. |
From inside the book
Results 1-5 of 46
... appears to evidence a radical dis-orientation, a displacement of the observer from a central or frontal position to a marginal one. Following his failed experiment in the theater, he seemed to turn to what the theater could not so ...
... appears to receive of an evening; the only time people are visible is in the afternoon.” James was very much alone. The man who later on would encounter the greatest social success in London was, like many a foreigner, finding French ...
... appears somewhat to have lost her memory,” James adds. Then there was William's friend, Charles Sanders Peirce. It is odd to think of James dining at least weekly—often several times weekly— with Peirce, the founder of pragmatism, the ...
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Contents
1 | |
7 | |
2 The Dream of an Intenser Experience | 53 |
3 What a Droll Thing to Represent | 79 |
4 Flauberts Nerds | 101 |
5 The Quickened Notation of Our Modernity | 129 |
6 The Death of Zola Sex in the French Novel and the Improper | 156 |
7 For the Sake of This End | 177 |
Chariot of Fire | 205 |
Notes | 211 |
Bibliography | 233 |
Acknowledgments | 241 |
Index | 243 |