Life in Poetry: Law in Taste: Two Series of Lectures Delivered in Oxford, 1895-1900 |
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Page 5
... style of False Wit , and Johnson the school of Metaphysical Poetry . Their object was to give distinction to any theme , however trivial , by adorning it with a it with a multitude of far - fetched A specimen of their art survives in a ...
... style of False Wit , and Johnson the school of Metaphysical Poetry . Their object was to give distinction to any theme , however trivial , by adorning it with a it with a multitude of far - fetched A specimen of their art survives in a ...
Page 9
... style , Matthew Arnold defines Criticism to be the free faculty that advances in the mind the growth of an inward Perfection ; and , quite logically from his own premises , he identifies Poetry with the Idea as it exists in the ...
... style , Matthew Arnold defines Criticism to be the free faculty that advances in the mind the growth of an inward Perfection ; and , quite logically from his own premises , he identifies Poetry with the Idea as it exists in the ...
Page 24
... style as conclusive , if he had not criticised it by canons which the world could understand . Thus then we are brought to the practical question -What is the final authority to which right reason should refer in judging of matters of ...
... style as conclusive , if he had not criticised it by canons which the world could understand . Thus then we are brought to the practical question -What is the final authority to which right reason should refer in judging of matters of ...
Page 28
... style . Testimony is borne to the efficacy of this system of University education by the most illustrious of those who have pursued a different object . " The office of the English Universities , " says Döllinger , " is by means of the ...
... style . Testimony is borne to the efficacy of this system of University education by the most illustrious of those who have pursued a different object . " The office of the English Universities , " says Döllinger , " is by means of the ...
Page 41
... style . In poetry , on the con- trary , the Epic , the Dramatic , the Ethical or Satirical modes of composition are all distinct each is capable of producing a different kind of pleasure : and any attempt to introduce the style proper ...
... style . In poetry , on the con- trary , the Epic , the Dramatic , the Ethical or Satirical modes of composition are all distinct each is capable of producing a different kind of pleasure : and any attempt to introduce the style proper ...
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Common terms and phrases
action æsthetic Apollonius Rhodius Aristotle Aristotle's art of poetry artist audience authority beautiful Ben Jonson Byron cæsura Canterbury Tales century characteristic Chaucer civilisation classical composition criticism Dante Divine Comedy drama dramatist element England English poetry epic epic poetry Euripides example expression external feel feudal France French French poetry genius German Greek harmony Hence Homer Horace human idea of Nature ideal Iliad imagination imitation individual inspiration instinct judge judgment kind language law of taste lecture liberty lyric Matthew Arnold metre metrical Milton mind modern Molière moral movement observe opinion painting Paradise Lost passion perception philosophy pleasure poem poet poet's poetical decadence political Pope Pope's practice Preraphaelite principle produce prose reasoning recognised reflection representative Roman satiric Saxon says self-consciousness sense Shakespeare social society Sophocles soul speak sphere spirit standard style tendency things thought tion tragedy truth unity universal idea verse whole words
Popular passages
Page 407 - Perplext in faith, but pure in deeds, At last he beat his music out. — • There lives more faith in honest doubt, Believe me, than in half the creeds.
Page 353 - Purples the east: still govern thou my song, Urania, and fit audience find, though few. But drive far off the barbarous dissonance Of Bacchus and his revellers, the race Of that wild rout that tore the Thracian bard In Rhodope, where woods and rocks had ears To rapture, till the savage clamour drown'd Both harp and voice; nor could the muse defend Her son.
Page 401 - I live not in myself, but I become Portion of that around me; and to me, High mountains are a feeling, but the hum Of human cities torture...
Page 360 - First follow Nature, and your judgment frame By her just standard, which is still the same: Unerring Nature, still divinely bright, One clear, unchanged, and universal light, Life, force, and beauty, must to all impart, At once the source, and end, and test of Art. Art from that fund each just supply provides; Works without show, and without pomp presides: In some fair body thus th...
Page 54 - Like Cato, give his little senate laws, And sit attentive to his own applause ; 210 While wits and templars every sentence raise, And wonder with a foolish face of praise — Who but must laugh, if such a man there be ? Who would not weep, if Atticus were he...
Page 70 - Haec ubi dicta dedit, lacrimantem et multa volentem 790 dicere deseruit, tenuesque recessit in auras. Ter conatus ibi collo dare bracchia circum ; ter frustra comprensa manus effugit imago, par levibus ventis volucrique simillima somno.
Page 210 - And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us...
Page 383 - Whose honours with increase of ages grow, As streams roll down, enlarging as they flow; Nations unborn your mighty names shall sound, And worlds applaud that must not yet be found!
Page 401 - Are not the mountains, waves, and skies, a part Of me and of my soul, as I of them ? Is not the love of these deep in my heart With a pure passion?
Page 405 - Cursed be the social wants that sin against the strength of youth! Cursed be the social lies that warp us from the living truth! Cursed be the sickly forms that err from honest Nature's rule! Cursed be the gold that gilds the straiten'd forehead of the fool!