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bodies whom death had made to lie quietly together. There he passed the residue of that night; and the next morning mustered his soldiers, buried those that were slain, and gave liberty to the English to do the like. The body of King Harold could not be known by his face, it was so deformed by death, and by his wound; by his armour and by certain marks upon his body it was known. As it lay upon the ground, a Norman soldier did strike it into the leg with his sword; for which unmanly action he was cassed by the duke with open disgrace. It was carried into the duke's pavilion, and there kept under the custody of William Mallet. And, when his mother made suit for it to be buried, the duke denied it at first, affirming, that burial was not fit for him, whose ambitiom was the cause of so many funerals. The mother, besides her lamentations and tears, offered for it (as one Norman writer affirms) the weight thereof in gold; but the duke, with a manly compassion, gave it freely, as holding it dishonourable both to value the body of a king, and make sale of a slain enemy. So his body was buried by his mother, at Waltham-cross, within the monastery which he had founded. Verily there was nothing to be blamed in him, but that his courage could not stoop to be lower than a king.

I have been the longer in describing this battle, for that I esteem it the most memorable and best executed that ever was fought within this land; as well for skilful direction, as for courageous performance, and also for the greatness of the event. The fight continued with very great both constancy and courage, and variety of fortune, from seven of the clock in the morning until night. Of the Normans were slain six thousand and more, besides those that were drowned and beaten down in the water, The slaughter of the English is uncertainly reported, but certainly it was far greater than that of the Normans. Certain also that their death was most honourable and fair, not any one basely abandoning the field; not any one yielding to be taken prisoner. And yet one circumstance more I hold fit to be observed, that this victory was gotten only by the means of the blow of an arrow; the use whereof was by the Normans first brought into this land. Afterwards the English, being trained to that fight, did thereby chiefly maintain themselves with honourable advantage, against all nations with whom they did coatend in arms, being generally reputed the best shot in the world.

Such is the English account of the Battle of Hastings; an event which proved fatal to the Saxon Government in this island. It might have been avoided by prudence, yet every effect of victory obtained, or might have been rendered very destructive to the enemy.

DR. MOSELEY'S

ACCOUNT OF A RECENT

CASE OF HYDROPHOBIA.

To the Editor of the Literary Panorama.

Frith Street, Nov. 16, 1807.

Sir, The following case of Hydrophobia, by the peu of a distinguished Physician, who has the merit of having first given to the public a correct account of the uninterrupted progress of this dreadful malady from its origin to a fatal termination, will, I doubt not, be acceptable to your readers; and the inserting of it in the Literary Panorama, will much oblige-Sir, your obedient servant, G. LIPSCOMB.

Chelsea Hospital, Monday evening,
Nov. 9, 1807.

This afternoon, at three o'clock, Mrs. Metcalfe, No. 25, Compton-street, brought her son, Mr. Frederic Michael Metcalfe, to ine for advice, at my house in Albany, Piccadilly.

He informed me, that he was attacked about four o'clock yesterday morning with a difficulty in swallowing any liquid, which he first perceived when he attempted to drink some porter, the remains of half a pint, which he had on the preceding evening. He said, when he put the pot to his mouth, something rose in his throat, and choaked him. He swallowed, as he thought, about a tea spoonful, and then was seized with a trembling, and cramp in his arms and legs, and a sensation of pricking, as if pius, or needles were run into his flesh. His appetite failed him on Saturday last. Yesterday he ate a small piece of mutton, which made him sick at his stomach. He has eaten nothing this day; though he said he could swallow any thing, except it were in a liquid form; but has no desire for food. He said he was attacked on Thursday last with a violent pain in his right arm, from his shoulder to the ends of his fingers. This pain left him on Saturday night. He rubbed his arm with hartshorn and oil, and wrapped it up with flannel, on Saturday.

Mrs. Metcalfe informed me, that on his seeing any liquid poured out for him to drink, even before he takes hold of the pot, or cup, he begins to tremble, and the choaking seizes him. She said, in attempting to drink, he becomes convulsed, his eyes look glassy, and he stares in an unusual and frightful manner. The case thus clearly demonstrated, I desired Mrs. Metcalfe to go with me into another room. I did this that I might not alarm her son, by questions necessary for further information. Neither Mrs. Metcalfe nor her son had the slightest suspicion of the cause, or the nature, of his dreadful calamity.

I asked Mrs. Metcalfe whether her son had | been lately bitten by any dog? The very question so much alarmed her, that she was for a few minutes in state of distraction. When she was able to speak, she exclaimed, with a loud shriek, that he had been bitten in the hand by a dog in the summer. As soon as she became calm, and composed, we returned to her son.

On interrogating him, he informed me, that in the beginning of July last, there were two dogs fighting desperately in the street opposite his mother's h.se; and he observing one of them had one of his eyes torn out, and the other dog likely to kill him, endevoured to part them; but on taking hold of the dog he wished to rescue from the fury of the other, he received a bite from him on his right hand. Two of the dog's teeth penetrated the outside of the haud, but the palm of the hand was considerably wounded. This wound was dressed with Friar's balsam and poulticed, and was cured in a week or ten days.

I examined his hand.-There was a small degree of redness remaining, but no heat, or pain, where the wound had been in the palm of his hand, and no vestige whatever on the outside where the teeth had been. There was nothing observable in his throat, differing from its natural state; nor any increase of saliva. Pulse 88, rather feeble, and not quite regular. He had no thirst. He told me his choaking seemed to him as arising from wind; and that he always discharged a great deal from his throat whenever he attempted to swallow. He said he took some dill-seed water last night, and thought it relieved him; but never could get down more than a tea-spoon full at a time, and that with great difficulty. In one attempt to swallow some of this water, he was so choaked and convulsed, that he would have fallen into the fire, his mother told me, if she had not saved him. I gave him some water in a pint pot twice; each time he swallowed about a tea-spoon full, and both times was choaked, and convulsed, with a wild staring in his eyes, and a trembling all over him; and immediately after the effort of swallowing, he made a hideous noise. The second time I him the water, I was much alarmned; gave I thought it would have occasioned a fatal convulsion. It is impossible to describe a sound; and I can compare the noise he made, which was from repeated spasmodic contractions of the organs of respiration, to nothing but to that sort of stifled barking which dogs sometimes make, when disturbed in their sleep; or to the hoarse, short barking of a Drover's dog. When he took the pot in his hand, he fell into a tremor, held down his head, and was in great distress; he kept the

pot in his hand a few seconds before he could summon courage to lift it to his mouth; af ter which I took it from him, as from his agony he could not hold it. He bore the sight of the water in the pot, while it was in my hand, when it was not offered him to drink; but when I brought a large bason filled with water, and put it before his eyes, he seemed frightened; and when I agitated the water near him, he was instantly attacked with what he called "the wind rising in his throat," trembling, and that hoarse, faucial noise before mentioned. He entreated me not to order any medicine for him in a liquid form, as he said he could not take it; and the attempt, he was certain, would kill him. He said he could swallow any solid substance. I put this to the proof; and, as he had been costive for several days, I gave him four aperient pills, which he swallowed one at a time, but with some difficulty.—He had now been with me three quarters of an hour, when he and Mrs. Metcalfe left Albany, with the best advice I could give, and walked back to Compton-street. From his appearance, and conversation, no person would have thought there was any indisposition about him. His voice, and speech had suffered no alteration. He was in the eighteenth year of his age; a very fine youth in mind, as well as in person. His humanity here was his misfortune. With what grief did I see him depart from Albany with his poor mother, knowing, as I did, that he had but a few hours to live! I visited him at eight o'clock in the evening. Pulse 110, and very feeble. I gave him some water. In attempting to drink, the usual consequences,-choaking, wildness in the eyes, and the noise in the throat, followed. The pills operated about nine o'clock, several times. About ten o'clock he became so violently convulsed, that four young men, his brothers, could scarcely keep him in his bed; but he made no attempt to bite any person. He began also to foam at the mouth, with white froth. The quantity of this froth was so great, as to require many towels, and handkerchiefs, in wiping it froin his mouth. At this period he likewise became delirious at intervals, but as times in his perfect senses, and complained, though in a very warm room, of being cold, and begged to be kept warm. In this condition he continued until one o'clock on the following morning, when, from his violent convulsive exertions and struggling, he was entirely exhausted, and remained calm and quiet afterwards.

He expired at a quarter before two, 18 weeks from the time of the accident; 46 hours from the commencement of the hydrophobia; and ten hours after I first saw him. BENJAMIN MOSELEY.

SHAKESPEAR AND VIRGIL.

To the Editor of the Literary Panorama. SIR,-The cause of the subsequent coincidence between Shakspere and Langley's translation of Polydore Virgil might, if pointed out, be not uninteresting.

who may possibly detect, in such admixtures, the causes of some of those serious disorders, which sometimes baffle their utmost skill. We have before given an ample history of the Tea Trade, for which we refer our readers, to pp. 147, 346, 568, 844 of Vol. II. of Panorama.

Tea, before it is dried, is of a fine green The work of this latter, De Originibus colour, more or less deep, according to its Rerum, was first written in Latin, and pub- age; its taste is bitter and styptic. Teas prelished in 1499; nor were there any transla-pared for sale have a different flavour and cotions of it, before that of 1663, unless into foreign languages, according to Berkenhout's Biographia Literaria.

The passage to which I refer is in lib. iii. c. 6. The women of England be ashamied of God's creation and handywork in them selves, or else they would not amend it."

lour, because, they are more or less yellow, and more or less' torrified; some having been boiled, and others merely desiccated." The flowers emit a very weak scent, and the leaves are inodorous; but supposing they had a perfame, the aroma would be destroyed by torrefaction. The Chinese are accustomed The similarity of this sentiment with one to aromatize their teas with the chloranthus in the Hamlet of our “Swan of Avon," will incenspicuus, the flowers of the olea flagrans, be immediately perceptible, and since Mr. the comelina sesaaqua, the Arabian jessamine, Malone's list of translations in the age of and with the curcuma. Hence any other Shakspere includes not any one of Polydore inodorous plant, prepared in a similar manVirgil's works, we must conclude that Shak-ner, would furnish a beverage equally fragspere derived his knowledge of it, either from foreign tongues, or the original itself. Polydore Virgil died in 1555, and our dramatíst was not given to his country until 1564.

In either case, that total dereliction of learning ascribed to Shakspere by some critics is inconsistent with the supposition: but some of your readers who may be enabled to consult the original of Polydore Virgil, either in their own libraries, or a public one, can perhaps solve the query.

With this hope I shall merely observe, that his works by no means betoken the illiteracy ascribed to him by Dr. Farmer; and Mr. Colman, in his edition of Terence, has noticed the character of Armado in "Love's Labour lost," as being sketched by a man, who must have proceeded farther than hic, hæc, hoc. Yours, &c. D. L. S.

Νου. 9, 1807.

ON THE PHYSICAL PROPERTIES OF TEA.

[From the French.]

The following statement of the chemical properties of a vegetable which forms a part of the daily beverage of mach of our population, appears to us to deserve attention We have not, ourselves, instituted any processes by which to justify or to disprove what the writer affirms; but we should be glad to receive intelligence on the subject from our chemical friends. A hint, or two, may lead to important results. Whether the Chinese really do flavour their teas with aromatic flowers, is a question of fact, worthy enquiry: and what are the qualities of those flowers, if used by them, cannot be indifferent to the public, nor (especially) to the faculty,

rant.

Chemical properties of Tea.-As the infusion of tea at 70 or 80 degrees of heat is most used, we shall examine it in that state. It does not impart a red colour to the dye of the Heliotrope.-Mineral acids enliven the colour; but destroy it, if they be concentrated. It forms a black precipitate with sulphate of iron.-It coagulates a solution of animal gelatine. A decoction of tea possesses the same properties, and unites with them that of having its mucilage precipitated by the addition of Alcohol. When the decoction is strongly concentrated, it imparts its extractive principle to wool; and forms, through the medium of an acid, a very solid nankeen dye.

Tea dissolved in Alcohol, will form an ink with sulphate of iron; and when evaporated, the residuum is found to contain a great quantity of resin. An alcoholic solu tion would dye silk of a fawn colour. rious experiments have proved that tea contains mucilage-much resin-gallic acidand tannin.

Va

The ashes contain carbon, iron, muriate of alumine, but no potash. Its immediate properties are similar to those of chinchoua, angustura, gentian, almost febrifuges.

That the Chinese use it so much as they do, is probably owing to their having nothing better; for when the Dutch carried them sage, nicely dried and prepared, it appeared so far preferable, that they gave in exchange three boxes of tea for one of sage.

[The Chinese used tea, as a necessary result of the badness of the water of the Hoang Ho, or Yellow River. They must employ some corrective, to render the water of that river potable for this purpose they used tea. This

made the plant popular : hence it has been adopted, where the same cause did not exist ; and fashion has rendered it almost a necessary of life, in countries, in the East, distant from China; and in the West, where the very existence of the Yellow River and its qualities is not so much as suspected.]

MAYOR OF NORWICH'S DINNER.

The Mayor's feast was kept for the first time in St. Andrew's hall, Norwich, in the year 1544. Seventeen years after, viz. in 1501, W. Muigay, Esq. entertained the Duke of Norfolk, the Earl of Northumberland and other Lords, Knights and Esquires, with their ladies, in a most hospitable manner there; the following is the bill of fare, with the expenses attending.

William Muigay, Esq., Mayor of the City of Norwich, his Expenses for a Dinner, at which he feasted the Duke of Norfolk, c. the Lords, Knights, and Gentry of the County.

Eight stone of beef, at fourteen

pound to the stone

Two collars of brawn..

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L. s. d.

Speech made by Johnny Martyn of Nor wich, a wealthy, honest man, after Mr. Mayor Muigay's Dinner. Found in the Collection of one Turner, of Lynn Regis. Maister Mayor of Norwich, and it please your worship, you have feasted us like a king, God bless the Queen's grace. We have fed plentifully, and now whilom I can speak plain English, I heartily thank you, Master Mayor, and so do we all; answer Boys, answer! your beer is pleasant and potent, and will soon catch us by the caput, and stop our manners. And so huzza for the Queen's Majesty's Grace, and all her bonny browe'd damies of honour! Huzza for Master Mayor, and our good Dame Mayoress! His noble Grace, there he is, God save him, and all this jolly company!-To all our friends round County, who have a penny in their purse, and an English heart in their body's, to keep out Spanish Dons, and Papists with their faggots to burn our whiskers!-Shove it about, twirl your cap cases. handle your jugs, and huzza for Master Mayor, and his brethren their Worships!

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NECTED WITH THE ART OF ENGRAVING,
CHIEFLY THAT BRANCH OF IT WHICH IS
DIRECTED TO THE EMBELLISHMENT OF
BOOKS.

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To attempt to decide on the relative merits 8 of the different arts, would be an invidious undertaking; merit is not to be calculated by square surface: feet and inches are not correlative terms to the energies of the human mind, to the skill of exquisite practice, or to the pleasure that an amateur receives from the excellence of a performance, which he inspects with attention. It is confessed, that magnitude is favourable to some productions of art whoever has painted the interior of a church, can hardly escape from being known by all the parish, and by all the town: if it be a cathedral, he may also be known by visitors from every quarter to whom that edifice is a subject of curiosity. Sir James Thornhill is famous for his cieling and hall at Greenwich, still more for his cupola at St. Paul's: yet it does not follow, that these are his most meritorious performances. At our public exhibitions, a large picture, placed in the center of one side of the room, is sure to attract gazers; while a smaller, hung 3 below, or on either side of it, is passed by 0 6 with little notice. Yet the balance of merit may be greatly in favour of the least attended to. The art of painting, undoubtedly, pos

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sesses ample powers of fascination; it engages the mind, it deludes the eye, it gratifies the learned, it amuses the ignorant; it ornaments an apartment, and it covers a great space, which might otherwise be a blank. Such are the qualities of one branch of this art: but, it is also capable of comprizing the most captivating specimens of art, in a size not inconvenient to the pocket, and some of the most skilful performances the world has witnessed, have been only of a few inches in dimensions. Now, on the question of merit, it might be asked, whether the merit of a large painting in oil, is greater than that of a picture in miniature? Circumstances may give it most importance, but if dimensions form its only excellence, it has small cause for triumph. Every principle of art may be most conspicuously called into exercise in the smaller subject: where then is the merit of magnitude?

The art of engraving never did, never could vie with painting, in the size of its productions: we have, indeed, seen crucifixions, and other religious subjects, as large as life; several plates being united, to form a subject 7 or 8 feet in heigit: but such were, probably, labours of a cloistered monk, whose time and whose talents were of no consideration beyond the walls of his convent. In general, the productions of the engraver are destined to meet the eye closely; and they ornament rooms of moderate dimensions. They are wrought with extreme care and attention, and neatness is one branch of their merit. But prints intended for decoration, as furniture, are of the larger kind, in this art: there is another branch of it, that is truly the miniature size, and the productions of which cannot be enlarged: we mean, that directed to the embellishment of books; and to the delight and ornament of our libraries. In a very early state of the art, this was its great friend: explanatory and illustrative cuts, as they were called, were soon adopted in printed books, and took the place of those expensive illuminations which had before been bestowed on MSS. as printing by types took place of writing with the pen."

Prints of considerable size, being displayed, as an article of magnificence in our apartments, contribute essentially to spread the fame of the artists who executed them, as well the painter, as the engraver; but prints in books, or library embellishments, are known only to those who read the book; and of all who from time to time, perambulate a well selected library, how few peruse any thing beyond the book-binders inscription, on the back, or the bookseller's title page in the front, of the volume. An engraver for the library, therefore, finds greater difficulties in attaining celebrity, than an engraver of prints; whatever be the merit of his works,

by the very nature of his profession. But this remark is still more applicable to those who followed this branch of art, in the days of George the Second, before the book trade of this kingdom had obtained that extensive circulation, which has since that time been its boast, and its emolument.

We have seen in the present reign the arts assume a dignity and importance, much beyond what could be expected by those who beheld them between the years 1730 and 1750. We have seen the graceful designs of Cipriani, finished with more than ample justice, by the correct graver of Bartolozzi, and decorations by the united talents of those artists, added to our libraries, which French vanity itself has allowed to excell its own productions, although France piqued herself, and not without reason, on the elegance manifested in her capital works of decoration. The art of engraving has been in a manner created since the period above alluded to. The first great step taken in its favour, was, by the sanction of the legislature to the act, for securing of copy right in prints, commonly called " Hogarth's Act." Of this Hogarth felt some advantages, himself, and foresaw much greater to the profession. That he should value himself highly on the lead he took in accomplishing this benefit, will not be wondered at by any who know the character of the man; but he really did deserve well of the art by his diligence, his assiduity, and his liberality, in pursuit of his object, when he succeeded in convincing the legislature, that this patronage, at least, was requisite to establish the art among us, and to render artists masters of their own pro perty and performances. This act passed in 1735, but in 1754, Hogarth thus records his sense of the measure; in the subscription, ticket for the "Election Entertainment."

In humble & grateful Acknowledgment
of the Grace & Coodness of the Legislature,
Manifested,

In the Act of Parliament tor the Encouragement
of the Arts of Designing Engraving c;
Obtain'd

by the Endeavours & almost at the Sole Expence
of the designer of this Print in the Year 17351
By which

not only the Professors of those Arts were rescued
from the Tyranny Frauds & Piracies

of Monopolising Dealers

and Legally entitled to the Fruits of their own Labours, but Genius & Industry were also prompted [selves, by ye most noble & generous Inducements to exert themEmulation was Excited,

Ornamental Compositions were better understood, and every Manufacture where Fancy has any concern was gradually rais'd to a pitch of perfection before unknown. Insomuch that those of Great Britain are at present the most Elegant and the most in Esteem of any in Europe.

Rocquet tells us, that, before the passing of this act, there were only two print shops in London, but after it they suddenly in

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