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Page 185
Dryden not unfrequently appeals to his audiences for con- sideration on the ground that he is overworked . ... makes pitiful and not obscure references , with the view of averting the disapproba- tion of the audience .
Dryden not unfrequently appeals to his audiences for con- sideration on the ground that he is overworked . ... makes pitiful and not obscure references , with the view of averting the disapproba- tion of the audience .
Page 275
We now approach what is necessarily the largest element in the farrago comprising the average prologue or epilogue of the Elizabethan and Restoration periods : that is , the re- flections on the audiences , on their tastes , and on ...
We now approach what is necessarily the largest element in the farrago comprising the average prologue or epilogue of the Elizabethan and Restoration periods : that is , the re- flections on the audiences , on their tastes , and on ...
Page 290
The only sort of distinction between audiences which could be drawn in Dryden's time was that between the " town " and ... as likely to form an audience of a special and distinctive character , —an audience to appreciate a drama dealing ...
The only sort of distinction between audiences which could be drawn in Dryden's time was that between the " town " and ... as likely to form an audience of a special and distinctive character , —an audience to appreciate a drama dealing ...
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Contents
CALLANDER CRAGS By Rosa Mackenzie Kettle | 53 |
GREAT COMPANIES AND TRADING | 71 |
FARMER AND PARSON | 128 |
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Common terms and phrases
appear arms asked audience balloon beautiful become believe brought called carriage cause character Christian Church colour comes Company course Courtly critics direction doubt Dryden effect England English epilogue existence eyes face fact feet fire firm follow give ground hand head heart hope human hundred idea important kind King known Lady Lady Frances leave less light lines live London look Lord manufacture material matter means Messrs mind nature never night once passed perhaps persons play poet possible present prologue question reason remains rest result Reuben seemed seen side soon speak spirit stage standing supposed taken tell things thought true truth turned whole wish write
Bibliographic information
| Title | New Monthly Magazine, and Universal Register, Volume 121 |
| Contributors | Thomas Campbell, Samuel Carter Hall, Edward Bulwer Lytton Baron Lytton, Theodore Edward Hook, Thomas Hood, William Harrison Ainsworth |
| Publisher | Henry Colburn, 1882 |
| Original from | the New York Public Library |
| Digitized | 27 Nov 2007 |
| Export Citation | BiBTeX EndNote RefMan |