Pien Chih-lin: A Study in Modern Chinese Poetry |
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according actually already appeared Association basis become called Ch'i-fang Chang Chapter characters Chih China Chinese Poetry classical collection communication complete critics cultural discussed dream early English example experience expressed fact feel Feng five Folk Songs foreign formal hand Hong Kong Hsin I-to imagery important individual influence intellectuals Kai-yu Hsu language later Letters literary Literature London March masses means Modern Chinese movement Original in Pien Peking People's period phrase Pien 26 Pien 34 Pien Chih-lin Pien's poems poet poetic political possible present Press prewar principles Problem produced publication published quoted readers reference regard remarks rhyme rhythm seemed segment Selected sense setting Shanghai shih Songs specific stanza style suggested Symbolist technical tion traditional trans translation University various vernacular verse Wang wen-hsüeh Western whole writers written York