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peared in a laced waistcoat that once belonged to his master. I bought the waistcoat, but despise the insinuation; nor is this the only instance in which I am obliged to diminish my wants and apportion them to my very limited means. Lady K will be my witness

that until my last appointment I was an utter stranger to the luxury of a pocket-handkerchief." The pocket-handkerchief which then came into his possession was supposed to have been found in the pocket of the secondhand waistcoat; and Jekyll always maintained that, as it was not considered in the purchase, it remained the valet's property, and did not pass into the lawyer's rightful possession. This was the only handkerchief which Lord Kenyon is said to have ever possessed, and Lord Ellenborough alluded to it when, in a conversation that turned upon the economy which the income-tax would necessitate in all ranks of life, he observed-" Lord Kenyon, who is not very nice, intends to meet the crisis by laying down his handkerchief."

Of his lordship's way of getting through seasons of catarrh without a handkerchief, there are several stories that would scarcely please the fastidious readers of this volume.

Of his two wigs (one considerably less worn than the other), and of his two hats (the better of which would not have greatly disfigured an old clothesman, whilst the worse would have been of service to a professional scarecrow), Lord Kenyon took jealous care. The inferior wig was always worn with the better hat, and the more dilapidated hat with the superior wig; and it was noticed that when he appeared in court with the shabbier wig he never removed his chapeau; whereas, on the days when he sat in his more decent wig, he pushed his old cocked hat out of sight. In the privacy of his house and in his carriage, whenever he traveled beyond the limits of town, he

used to lay aside wig and hat, and cover his head with an old red night-cap. Concerning his great-coat, the original blackness of which had been tempered by long usage into a fuscous green, capital tales were fabricated. The wits could not spare even his shoes. "Once," Dr. Didbin gravely narrated, "in the case of an action brought for the non-fulfillment of a contract on a large scale for shoes, the question mainly was, whether or not they were well and soundly made, and with the best materials. A number of witnesses were called, one of them, a first-rate character in the gentle craft, being closely questioned, returned contradictory answers, when the Chief Justice observed, pointing to his own shoes, which were regularly bestridden by the broad silver buckle of the day, 'Were the shoes anything like these?' 'No, my lord,' replied the evidence, they were a good deal better and more genteeler.'' Dr. Didbin is at needless pains to assure his readers that the shoemaker's answer was followed by uproarious laughter.






N the Inns of Court, even more often than in the colleges of Oxford and Cambridge, musical instruments and performances are regarded by severe students with aversion and abhorrence. Mr. Babbage will live in peace and charity with the organ-grinders who are continually doing him an unfriendly turn before the industrious conveyancer on the first floor will pray for the welfare of that fellow upstairs' who daily practises the flute or cornopean from 11 a. M. to 3 P. M. The Wandering Minstrels' and their achievements are often mentioned with respect in the western drawing-rooms of London; but if the gentlemen who form that distinguished troupe of amateur performers wish to sacrifice their present popularity and take a leading position amongst the social nuisances of the period, they should migrate from the district which delights to honor them to chambers in Old Square, Lincoln's Inn, and give morning concerts every day of term time.

Working lawyers feel warmly on this subject, main

taining that no man should be permitted to be an amäteurbarrister and an amateur-musician at the same time, and holding that law-students with a turn for wind-instruments should, like vermin, be hunted down and knocked on the head-withcut law. Strange stories might be told of the discords and violent deeds to which music has given rise in the four Inns. In the last century many a foolish fellow was 'put up' at ten paces, because he refused to lay down an ophicleide; even as late as George IV.'s time death has followed from an inordinate addiction to the violin; and it was but the other day that the introduction of a piano into a house in Carey Street led to the destruction of three close and warm friendships.

So alive are lawyers to the frightful consequences of a wholesale exhibition of melodious irritants, that a natural love of order and desire for self-preservation has prompted them to raise numerous obstructions to the free development of musical science in their peculiar localities of town. In the Inns of Court and Chancery Lane professional etiquette forbids barristers and solicitors to play upon organs, harmoniums, pianos, violins, or other stringed instruments, drums, trumpets, cymbals, shawms, bassoons, triangles, castanets or any other bony devices for the production of noise, flageolets, hautboys, or any other sort of boys-between the hours of 9 A. M. and 6 P. M. And this rule of etiquette is supported by various special conditions introduced into the leases by which the tenants hold much of the local house property. Under some landlords, a tenant forfeits his lease if he indulges in any pursuit that causes annoyance to his immediate neighbors; under others, every occupant of a set of chambers binds himself not to play any musical instrument therein, save between the hours of 9 A. M. and 12 P. M.; and in more than one clump of chambers,

situated within a stone's throw from Chancery Lane, glee-singing is not permitted at any period of the fourand-twenty hours.

That the pursuit of harmony is a dangerous pastime for young lawyers cannot be questioned, although a long list might be given of cases where musical barristers have gained the confidence of many clients, and eventually raised themselves to the bench. A piano is a treacherous companion for the student who can touch it deftly— dangerous as an idle friend, whose wit is ever brilliant; fascinating as a beautiful woman, whose smile is always fresh; deceptive as the drug which seems to invigorate, whilst in reality it is stealing away the intellectual powers. Every persevering worker knows how large a portion of his hard work has been done against the grain,' and in spite of strong inclinations to indolence-in hours when pleasant voices could have seduced him from duty, and any plausible excuse for indulgence would have been promptly accepted. In the piano these pleasant voices are constantly present, and it can always show good reason why reluctant industry should relax its exertions.



IR THOMAS MORE and Lord Bacon--the two most

England-were notable musicians; and many subsequent Keepers and Chancellors are scarcely less famous for love of harmonious sounds than for judicial efficiency. Lord Keeper Guildford was a musical amateur, and notwithstanding his low esteem of literature condescended to

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